
Black River Delta
Black River Delta is blues-rock band originating from Bollnäs, Sweden. The foursome have released three studio albums – Devil on the Loose (2016), Vol. II (2018), and Shakin’ (2021).
The band’s gritty blues-rock sound draws from classic blues legends like Robert Johnson, the raw style of R. L. Burnside and modern artists as The Black Keys, Gary Clark Jr. and Black Rebel Motorcycle Club.
Their ability to combine age-old blues with modern rock has taking them on several tours across Europe and North America, and has caught the attention of artists like blues legend Joe Bonamassa, calling Vol. II one of the best albums of 2018 and even inviting the band to perform on his annual cruise festival.
Black River Delta’s new album Shakin’ is available NOW via Sofaburn Records.
Black River Delta is blues-rock band originating from Bollnäs, Sweden. The foursome have released three studio albums – Devil on the Loose (2016), Vol. II (2018), and Shakin’ (2021).
The band’s gritty blues-rock sound draws from classic blues legends like Robert Johnson, the raw style of R. L. Burnside and modern artists as The Black Keys, Gary Clark Jr. and Black Rebel Motorcycle Club.
Their ability to combine age-old blues with modern rock has taking them on several tours across Europe and North America, and has caught the attention of artists like blues legend Joe Bonamassa, calling Vol. II one of the best albums of 2018 and even inviting the band to perform on his annual cruise festival.
Black River Delta’s new album Shakin’ is available NOW via Sofaburn Records.

Crashdiet
GO BIG OR GO HOME
It has been the motivational “catchphrase” for the Swedish boys in CRASHDÏET ever since they started out back in the beginning of 2000.
They’ve clearly gone through turbulence a number of times their career, with deaths, line-up changes and a history of abuse that would make Mötley Crüe's “The Dirt” sound like a children's book. However, the boys have become known for picking up the pieces and returning to the scene, every time they crash. Their undeniable flirt with the 80s big arena rock bands like Guns N’ Roses, Kiss, Skid Row etc., combined with a notable element of punk, has made them a significant name in the revival of the sleaze and glam (or hair metal) genre. CRASHDÏET released their critically acclaimed debut album “Rest in sleaze” in the fall of 2005 through Universal Music, giving them a spring of success in their home country. But shortly after, in January of 2006, their frontman and founder Dave Lepard, was found dead in his home after committing suicide. The surviving members have carried on the torch ever since, recruiting new frontmen, touring the world and releasing studio albums for their widespread fans.
GO BIG OR GO HOME
It has been the motivational “catchphrase” for the Swedish boys in CRASHDÏET ever since they started out back in the beginning of 2000.
They’ve clearly gone through turbulence a number of times their career, with deaths, line-up changes and a history of abuse that would make Mötley Crüe's “The Dirt” sound like a children's book. However, the boys have become known for picking up the pieces and returning to the scene, every time they crash. Their undeniable flirt with the 80s big arena rock bands like Guns N’ Roses, Kiss, Skid Row etc., combined with a notable element of punk, has made them a significant name in the revival of the sleaze and glam (or hair metal) genre. CRASHDÏET released their critically acclaimed debut album “Rest in sleaze” in the fall of 2005 through Universal Music, giving them a spring of success in their home country. But shortly after, in January of 2006, their frontman and founder Dave Lepard, was found dead in his home after committing suicide. The surviving members have carried on the torch ever since, recruiting new frontmen, touring the world and releasing studio albums for their widespread fans.

Eric Steckel
BIOGRAPHY
In an era where pedalboards, laptops and samples have become commonplace, Eric Steckel goes against the grain and harkens his listeners back to the days when great guitars were played loudly through great amps. Hailed by many as the top rising star of Blues/Rock, Eric delivers a powerhouse performance that has left audiences in 25 countries (and counting) mesmerized. He brings an energy and passion to the stage that never disappoints and is a must see for fans of vintage guitar rock.
Few young guitarists can improve on Eric Steckel's impressive resume. Eric's debut CD, "A Few Degrees Warmer", was recorded live in April 2002 when he was just 11 years old. It wasn’t long until he appeared at the 2003 Sarasota Blues Festival where Eric's powerful set became the talk of the day. Before the night was over Eric was introduced by British Blues/Rock legend, John Mayall as the youngest guitarist ever on stage with the Bluesbreakers. Eric left a lasting impression on Mayall and, in 2004 Mayall invited Eric to appear in Sweden, Norway and Denmark during The Bluesbreakers’ Scandinavian Tour. In early 2005, Eric traveled to Los Angeles where he joined Mayall for session work on the "Road Dogs" record.
Eric then spent the following years filled with marquee festival dates and sold out concert tours in Holland, Germany, Belgium and Italy. He opened for Johnny Winter at The Paradiso in Amsterdam, thrilled audiences at the Tegelen Bluesrock Festival and shared the prime-time bill with Gregg Allman at the legendary Pistoia Blues Festival.
Throughout his teens and young adulthood, Eric released several critically acclaimed live and studio albums. 2006's "Havana" was a hit among Blues guitar lovers and tracks from this album are still featured often on SiriusXM's Bluesville station. 2008's "Feels Like Home" featured the talented Duane Trucks on drums and recalled the 70's southern rock era. Hits from this album such as "The Ghetto" and "Just Walk Away" receive regular airplay to this day. In 2012, after years on the road, Eric entered the studio once again to record a powerful modern Blues record. "Dismantle The Sun" emerged. In 2015, Eric embarked on a quest to record a fully transatlantic studio album with some of the finest producers, engineers and musicians he knew. This led to "Black Gold" being recorded in both Nashville, Tennessee and Amsterdam, Netherlands. Eric's current album "Polyphonic Prayer" is his most successful album to date and features Eric on every instrument besides the drums.
Road-tested and seasoned from 20+ years on stage and in the studio, Eric delivers his signature blend of Bluesmetal worldwide to appreciative guitar lovers in 25 countries and counting.
Eric has been featured in Top Guitar Magazine, Guitar World Magazine, Classic Rock Magazine, Blues Rock Review Magazine, Maxazine, Nightwatcher's House of Rock, The Allentown (PA) Morning Call, The Doylestown (PA) Intelligencer, The Philadelphia Inquirer, The (NY) Times-Herald Record, Music Head Magazine, The Warren (NJ) Reporter Forum, The Easton (PA) Express, The Bridgewater (NJ) Courier Times, The Sarasota (FL) Herald-Tribune, the Lancaster (PA) Sunday News and The Florida Times Union. International press includes features in the Haagshe Courant, De Telegraaph, BluesMagazine (NL) and a MusikMaker (NL) feature. Eric was also featured in a Comcast CN8 TV News Extra and he has appeared on NBC 10 in Philadelphia, Comcast CN8, Fox Philadelphia, SNN6 in Sarasota and Reuters TV.
BIOGRAPHY
In an era where pedalboards, laptops and samples have become commonplace, Eric Steckel goes against the grain and harkens his listeners back to the days when great guitars were played loudly through great amps. Hailed by many as the top rising star of Blues/Rock, Eric delivers a powerhouse performance that has left audiences in 25 countries (and counting) mesmerized. He brings an energy and passion to the stage that never disappoints and is a must see for fans of vintage guitar rock.
Few young guitarists can improve on Eric Steckel's impressive resume. Eric's debut CD, "A Few Degrees Warmer", was recorded live in April 2002 when he was just 11 years old. It wasn’t long until he appeared at the 2003 Sarasota Blues Festival where Eric's powerful set became the talk of the day. Before the night was over Eric was introduced by British Blues/Rock legend, John Mayall as the youngest guitarist ever on stage with the Bluesbreakers. Eric left a lasting impression on Mayall and, in 2004 Mayall invited Eric to appear in Sweden, Norway and Denmark during The Bluesbreakers’ Scandinavian Tour. In early 2005, Eric traveled to Los Angeles where he joined Mayall for session work on the "Road Dogs" record.
Eric then spent the following years filled with marquee festival dates and sold out concert tours in Holland, Germany, Belgium and Italy. He opened for Johnny Winter at The Paradiso in Amsterdam, thrilled audiences at the Tegelen Bluesrock Festival and shared the prime-time bill with Gregg Allman at the legendary Pistoia Blues Festival.
Throughout his teens and young adulthood, Eric released several critically acclaimed live and studio albums. 2006's "Havana" was a hit among Blues guitar lovers and tracks from this album are still featured often on SiriusXM's Bluesville station. 2008's "Feels Like Home" featured the talented Duane Trucks on drums and recalled the 70's southern rock era. Hits from this album such as "The Ghetto" and "Just Walk Away" receive regular airplay to this day. In 2012, after years on the road, Eric entered the studio once again to record a powerful modern Blues record. "Dismantle The Sun" emerged. In 2015, Eric embarked on a quest to record a fully transatlantic studio album with some of the finest producers, engineers and musicians he knew. This led to "Black Gold" being recorded in both Nashville, Tennessee and Amsterdam, Netherlands. Eric's current album "Polyphonic Prayer" is his most successful album to date and features Eric on every instrument besides the drums.
Road-tested and seasoned from 20+ years on stage and in the studio, Eric delivers his signature blend of Bluesmetal worldwide to appreciative guitar lovers in 25 countries and counting.
Eric has been featured in Top Guitar Magazine, Guitar World Magazine, Classic Rock Magazine, Blues Rock Review Magazine, Maxazine, Nightwatcher's House of Rock, The Allentown (PA) Morning Call, The Doylestown (PA) Intelligencer, The Philadelphia Inquirer, The (NY) Times-Herald Record, Music Head Magazine, The Warren (NJ) Reporter Forum, The Easton (PA) Express, The Bridgewater (NJ) Courier Times, The Sarasota (FL) Herald-Tribune, the Lancaster (PA) Sunday News and The Florida Times Union. International press includes features in the Haagshe Courant, De Telegraaph, BluesMagazine (NL) and a MusikMaker (NL) feature. Eric was also featured in a Comcast CN8 TV News Extra and he has appeared on NBC 10 in Philadelphia, Comcast CN8, Fox Philadelphia, SNN6 in Sarasota and Reuters TV.

The Gems
The Gems, a Swedish rock trio formed in early 2023, consist of former Thundermother members Guernica Mancini (vocals), Emlee Johansson (drums), and Mona "DeMona" Lindgren (guitar/bass). Their debut album "Phoenix" was released on January 26, 2024, on Napalm Records. The album features a blend of classic rock influences with modern production and visuals, aiming to revitalize the genre.Prior to forming The Gems, the trio toured with bands like the Scorpions and performed at major international festivals such as Wacken Open Air, Sweden Rock Festival, and Alcatraz Open Air. Their experience and dedication have established them as a formidable presence in the rock scene.
The Gems' mission is to evolve the music they love by combining classic rock elements with modern production techniques and futuristic visuals. Their debut single "Like a Phoenix" released in the summer of 2023, reached No. 2 on the German Rock Radio Airplay Charts, showcasing their potential and resonating with rock fans worldwide.
Following the album's release, The Gems embarked on a European tour, further solidifying their reputation as rising stars in the classic rock scene. Their commitment to hard work and innovation continues to drive their success and influence in the music industry.
The Gems, a Swedish rock trio formed in early 2023, consist of former Thundermother members Guernica Mancini (vocals), Emlee Johansson (drums), and Mona "DeMona" Lindgren (guitar/bass). Their debut album "Phoenix" was released on January 26, 2024, on Napalm Records. The album features a blend of classic rock influences with modern production and visuals, aiming to revitalize the genre.Prior to forming The Gems, the trio toured with bands like the Scorpions and performed at major international festivals such as Wacken Open Air, Sweden Rock Festival, and Alcatraz Open Air. Their experience and dedication have established them as a formidable presence in the rock scene.
The Gems' mission is to evolve the music they love by combining classic rock elements with modern production techniques and futuristic visuals. Their debut single "Like a Phoenix" released in the summer of 2023, reached No. 2 on the German Rock Radio Airplay Charts, showcasing their potential and resonating with rock fans worldwide.
Following the album's release, The Gems embarked on a European tour, further solidifying their reputation as rising stars in the classic rock scene. Their commitment to hard work and innovation continues to drive their success and influence in the music industry.

Luther Dickinson & JD Simo
Celebrated guitarists, producers, band leaders and sonic shamans Luther Dickinson and JD Simo join forces in a trailblazing collaboration. The duo, known for their individual successes, mutual admiration, and deep friendship, have finally come together to create a musical project that transcends genres.
Luther Dickinson, one half of the 5-time Grammy-nominated North Mississippi All Stars and former Black Crowes lead guitarist has extensive production and session credits for artists like John Hiatt, Cedric Burnside, and William Bell. JD Simo, the leader of his own solo project, boasts session and production credits for Jack White, Beyoncé, Chris Isaak, Stevie Nicks, Phil Lesh, and Baz Luhrmann's Elvis movie.
United by shared loves and a strong friendship, Luther and JD found themselves collaborating in the winter of 2022. The creative alchemy unfolded in JD's House Of Grease studio in Nashville, TN, where they were joined by JD's longtime partner, Adam Abrashoff. Together, they delved into a rich musical tapestry of old spirituals and hill country blues, infused with Afrobeat rhythms and psychedelic abandon. – melodies that float on the edge of danger in a beautiful and mystical dance.
Luther expresses the profound connection, stating, "We found our tribe in each other," while JD adds, "It's like turning on a faucet. It's so easy for us because we have the same sensibilities and influences, but we play nothing alike somehow. It's so beautiful and special."
What sets this collaboration apart is the dynamic interchange of bass, baritone, and guitar duties between Luther and JD, creating a unique sonic landscape, at once daring and seductive. JD predicts, "It's gonna be a fun show to watch, with these fat grooves and Luther and I switching instruments and such!"
The project will debut with digital singles in the spring of 2024, offering a taste of the magic these two maestros have conjured. A full-length album is set to follow later in the year, promising a musical experience built on love, truth, and GREASE!
Join Luther, JD, and Adam on this extraordinary journey – keep it greasy!
Celebrated guitarists, producers, band leaders and sonic shamans Luther Dickinson and JD Simo join forces in a trailblazing collaboration. The duo, known for their individual successes, mutual admiration, and deep friendship, have finally come together to create a musical project that transcends genres.
Luther Dickinson, one half of the 5-time Grammy-nominated North Mississippi All Stars and former Black Crowes lead guitarist has extensive production and session credits for artists like John Hiatt, Cedric Burnside, and William Bell. JD Simo, the leader of his own solo project, boasts session and production credits for Jack White, Beyoncé, Chris Isaak, Stevie Nicks, Phil Lesh, and Baz Luhrmann's Elvis movie.
United by shared loves and a strong friendship, Luther and JD found themselves collaborating in the winter of 2022. The creative alchemy unfolded in JD's House Of Grease studio in Nashville, TN, where they were joined by JD's longtime partner, Adam Abrashoff. Together, they delved into a rich musical tapestry of old spirituals and hill country blues, infused with Afrobeat rhythms and psychedelic abandon. – melodies that float on the edge of danger in a beautiful and mystical dance.
Luther expresses the profound connection, stating, "We found our tribe in each other," while JD adds, "It's like turning on a faucet. It's so easy for us because we have the same sensibilities and influences, but we play nothing alike somehow. It's so beautiful and special."
What sets this collaboration apart is the dynamic interchange of bass, baritone, and guitar duties between Luther and JD, creating a unique sonic landscape, at once daring and seductive. JD predicts, "It's gonna be a fun show to watch, with these fat grooves and Luther and I switching instruments and such!"
The project will debut with digital singles in the spring of 2024, offering a taste of the magic these two maestros have conjured. A full-length album is set to follow later in the year, promising a musical experience built on love, truth, and GREASE!
Join Luther, JD, and Adam on this extraordinary journey – keep it greasy!

Kitty, Daisy & Lewis
Described as “a gift to those of us who still believe in magic” (The Observer), London siblings Kitty, Daisy & Lewis Durham are awesomely talented songwriters and multi-instrumentalist musicians.
They have sold over a quarter of a million albums worldwide, sold out headline tours, played Bestival and Glastonbury numerous times, they’ve opened shows for some big names -hello Mark Ronson and Coldplay. Starting out young, they have inspired audiences and gathered an impressive fan base from Amy Winehouse and Eagles Of Death Metal to David Lynch.
Kitty, Daisy & Lewis have come a long way since they broke through in 2006 with their second single, ‘Mean Son Of A Gun’. The trio of siblings, from a musical family – dad, Graeme Durham, an engineer at London’s Exchange studio, mum, Ingrid Weiss, the former drummer in post punkers ‘The Raincoats’ – have since then cemented their reputation with three critically acclaimed albums, 2008’s self titled debut, 2011’s ‘Smoking In Heaven’ and 2015’s ‘The Third’, and their most recent fourth, ‘Superscope’, which is quite frankly their most accomplished to date.
"Superscope is an addictive album, shooting clean and pure into your veins. Add this to your party mix and just try to keep your hips from shaking." - Soundblab
Their third album Kitty Daisy & Lewis The Third is a sparkling analogue production, produced by Mick Jones of The Clash, and recorded in a derelict Indian restaurant in Camden Town.
Each rotating on different instruments with a set that includes R&B, jazz, soul, blues, ska, country, rock 'n' roll and more, Kitty, Daisy & Lewis mix up genres to perfection!
Described as “a gift to those of us who still believe in magic” (The Observer), London siblings Kitty, Daisy & Lewis Durham are awesomely talented songwriters and multi-instrumentalist musicians.
They have sold over a quarter of a million albums worldwide, sold out headline tours, played Bestival and Glastonbury numerous times, they’ve opened shows for some big names -hello Mark Ronson and Coldplay. Starting out young, they have inspired audiences and gathered an impressive fan base from Amy Winehouse and Eagles Of Death Metal to David Lynch.
Kitty, Daisy & Lewis have come a long way since they broke through in 2006 with their second single, ‘Mean Son Of A Gun’. The trio of siblings, from a musical family – dad, Graeme Durham, an engineer at London’s Exchange studio, mum, Ingrid Weiss, the former drummer in post punkers ‘The Raincoats’ – have since then cemented their reputation with three critically acclaimed albums, 2008’s self titled debut, 2011’s ‘Smoking In Heaven’ and 2015’s ‘The Third’, and their most recent fourth, ‘Superscope’, which is quite frankly their most accomplished to date.
"Superscope is an addictive album, shooting clean and pure into your veins. Add this to your party mix and just try to keep your hips from shaking." - Soundblab
Their third album Kitty Daisy & Lewis The Third is a sparkling analogue production, produced by Mick Jones of The Clash, and recorded in a derelict Indian restaurant in Camden Town.
Each rotating on different instruments with a set that includes R&B, jazz, soul, blues, ska, country, rock 'n' roll and more, Kitty, Daisy & Lewis mix up genres to perfection!

Kyle Gass
Kyle Gass of Tenacious D is finally back on tour in October! After a one-year "vacci-cation" on his Californian farm, posting tons of fun videos on his social channels while waiting for his shot, Kyle Gass of Tenacious D did what he does best: Killing time by writing great songs. When he finally got the call, Kyle got really, really nervous which resulted in the new single release of "Vaccinated" - a parody of the Ramones classic "I Wanna Be Sedated" with a video featuring longtime friends like Jack Black, Amy Lee, John C Reilly, Steve Lukather, and many others.
Not only because of the incredibly great response to the "Vaccinated" release, but rather because he was tired of drinking home-squeezed orange juice all day, Kyle went for it again. He knew the time was as ripe as the fruits on his citrus trees for the world needs to be saved with his super rock power. So, he rounded up the most virtuosic musicians in California to put on a rock show the world has never seen. Kyle and his band of bros will blow the thick layers of dust off your ears like a rock ‘n’ roll hurricane you have never experienced before.
The couch apocalypse is over, it’s the beginning of a new era: The Kyle Gass Must Save The World Tour 2021 is on. You’re welcome.
Kyle Gass of Tenacious D is finally back on tour in October! After a one-year "vacci-cation" on his Californian farm, posting tons of fun videos on his social channels while waiting for his shot, Kyle Gass of Tenacious D did what he does best: Killing time by writing great songs. When he finally got the call, Kyle got really, really nervous which resulted in the new single release of "Vaccinated" - a parody of the Ramones classic "I Wanna Be Sedated" with a video featuring longtime friends like Jack Black, Amy Lee, John C Reilly, Steve Lukather, and many others.
Not only because of the incredibly great response to the "Vaccinated" release, but rather because he was tired of drinking home-squeezed orange juice all day, Kyle went for it again. He knew the time was as ripe as the fruits on his citrus trees for the world needs to be saved with his super rock power. So, he rounded up the most virtuosic musicians in California to put on a rock show the world has never seen. Kyle and his band of bros will blow the thick layers of dust off your ears like a rock ‘n’ roll hurricane you have never experienced before.
The couch apocalypse is over, it’s the beginning of a new era: The Kyle Gass Must Save The World Tour 2021 is on. You’re welcome.

The Kyle Gass Company
Kyle Gass Company – The Greatest Acoustic Band in the Universe Hits Europe, May 2025
Prepare yourselves, Europe: Kyle Gass Company, the most epic, earth-shattering acoustic trio the world has ever known, is coming your way this May 2025. Led by the unparalleled Kyle Gass – musical maestro, guitar legend, and lyrical genius – this trio promises a show so incredible, it will leave audiences in stunned awe.
Joined by virtuoso guitarist John Konesky and the golden-voiced Mike Bray, Kyle Gass Company brings a setlist that’s nothing short of perfection. Expect fiery originals from the Kyle Gass Band, jaw-dropping covers, and a few surprise moments that will surely go down in history. With unmatched musicianship, razor-sharp humor, and an energy that shakes the heavens, this is not just a concert – it’s a musical awakening.
Do not miss the acoustic event of the century. Kyle Gass Company is here to change lives, one mind-blowing chord at a time. Tour dates and tickets coming soon – don’t just hear about it, be part of it!
Kyle Gass Company – The Greatest Acoustic Band in the Universe Hits Europe, May 2025
Prepare yourselves, Europe: Kyle Gass Company, the most epic, earth-shattering acoustic trio the world has ever known, is coming your way this May 2025. Led by the unparalleled Kyle Gass – musical maestro, guitar legend, and lyrical genius – this trio promises a show so incredible, it will leave audiences in stunned awe.
Joined by virtuoso guitarist John Konesky and the golden-voiced Mike Bray, Kyle Gass Company brings a setlist that’s nothing short of perfection. Expect fiery originals from the Kyle Gass Band, jaw-dropping covers, and a few surprise moments that will surely go down in history. With unmatched musicianship, razor-sharp humor, and an energy that shakes the heavens, this is not just a concert – it’s a musical awakening.
Do not miss the acoustic event of the century. Kyle Gass Company is here to change lives, one mind-blowing chord at a time. Tour dates and tickets coming soon – don’t just hear about it, be part of it!

Mono Inc.
Biography
MONO INC. emerged from the ashes of several band projects, from the frustration of being forced in unwanted directions by major record companies and from an ardent desire to make uncompromising music.
In 2000 Martin Engler (drummer, songwriter and producer), Carl Fornia (guitar) and Miky Mono (vocals) relaunched their previous band project as MONO INC. From 1995 to 1997 the three had already played together in the band Wild Thing and then from 1998 to 2003, initially as a trio under the name Mono69, they went in search of their own special sound. In 2003 Manuel Antoni joined as bass player, completing the quartet, which is why the Monos call 2003 their founding year. Independently, they produced their debut album “Head Under Water” and submitted it to all major labels. They were rejected consistently. Since the band was unwilling to compromise its style for a coveted record deal, they decided in 2004 to set up their own independent label NoCut. The mechanisms of the music business were well known to Martin and Carl: Martin had professional experience as songwriter and producer under contract with EMI for various interpreters since 1990 – Carl on the other hand because he gave up his mechanical engineering studies in 1993 to join a music management company in Hamburg.
In 2004, “Head Under Water” was re-released by NoCut. Two singles from the album made it into the most important German trend charts of the time for rock, metal and Gothic: DAC, MRC30 and Native25. With the debut in their luggage, the band played an extensive tour as support for the medieval rock band Tanzwut and was able to land their first festival slots, one, for example at the Wave-Gothic-Treffen.
By the end of 2006, when the band gathered in the studio to prepare for their second album, the breakup between the band and their front man occurred due to different life plans and musical differences. Carl and Manuel convinced Martin to take on the role of lead singer from now on, because they knew his voice as the main songwriter from the demo tapes and they also knew the authenticity that goes with it when the composer is also the front man, as correct and saw a logical step for the future. Martin said later in an interview that he was already queasy when the two pointed their fingers at him and said, “You have to do this!” And he also struggled with the decision for a few days. In retrospect it was probably his best career decision. He didn’t want to be a singing drummer, however, and insisted someone else had to take his place on the drums.
He was replaced on the kit by 19-year-old Katha Mia, the only female to audition for the part. She impressed the three gentlemen of the band with her talent, enchanting beauty and straightforward beats. The decision to cast her was made in seconds.
With this exciting new line-up complete, the band set out to record their second longplayer, “Temple of the Torn”, slated for release on June 15th, 2007. In the second half of the year, they had a major breakthrough. Their song “Burn Me” was chosen as theme music by the German network DSF for their new TV series “Traumberuf Rennfahrer”. The series was launched September 2007 and ran through June the following year, giving the band major media exposure.
Their third album “Pain, Love and Poetry” hit the Gothic scene in April 2008. It was a mere eleven months after their previous album. They convinced Katha Mia to add some background vocals, in addition to her drumming. It was a smart move. The up-tempo single “Get Some Sleep” got regular play in the clubs from scene DJs and quickly became an underground hit. The accompanying video clip was recorded at the world-famous M’era Luna Festival in Hildesheim, where MONO INC. In 2008 they were allowed to appear for the first time as the opener (in the morning at 11 a.m.) in order to win over new fans in just 25 minutes of playing time. Another single from the album, “Teach Me To Love”, a romantic duet with Lisa Middelhauve of Germany’s top metal band Xandria ) topped the playlists of independent radio stations and drew significant print media attention. In 2009, MONO INC. with “Pain, Love & Poetry” in their luggage on extensive tours as the opening act for Subway to Sally and ASP and appeared at over 40 concerts in Germany, Austria and Switzerland. The band enjoyed increasing popularity and their following grew steadily, also because they were the first band ever to convert their tour diary to video format for reading on their concert tours and thus the fans could be close to success and failure. The format MONO INC. TV still exists, watched by millions of fans from all over the world.
On September 17th, 2009, the album “Voices of Doom” was released, which received a lot of attention and positive reports. The title track “Voices of Doom” as well as the track “Gothic Queen” are integral parts of every MONO INC. show to this day. They were the first singles to break the 1 million view barrier on YouTube. The 8-minute ballad “If I Fail”, however, went unnoticed by the band and label for reasons that are still unknown in China.
The breakthrough followed in 2010, when MONO INC. went on a major arena tour as a support act for UNHEILIG. This tour brought the band so much attention and popularity that they then ventured on their first extensive headlining tour and proudly reported a number of sold-out venues. Out of gratitude and humility, the band began their social commitment for the Bärenherz children’s hospice during this tour. The close connection to this charitable institution continues to this day. Over the years many successful events and campaigns have been initiated and plentiful donations have been generated. Tragically, founding member Miky Mono was killed in a microlight aircraft crash at his Spanish home on Mallorca. The band processed this personal shock in several texts and various touching live moments.
On March 18, 2011, the album “Viva Hades” was released, which was the first MONO INC. album to enter the official German album charts at number 50. The album, which was released for the first time not only as a regular CD, but also as a DVD limited edition of 2,000 pieces, was well received by the domestic and foreign press. The now legendary MONO INC. Raven can be seen for the first time on the cover of this album. Another successful headlining tour soon followed with the support act Lord of the Lost, which included appearances in Austria and Switzerland, as well as guest appearances at major festivals.
On August 17th, 2012 the concept album “After the War” was released , which entered the Official German Charts at # 6 and was the first Top 10 success in the band’s history. The title song was successfully released as the first single, later followed by “Arabia” and the double single “Wave No Flag / From the Ashes”. The song “From the Ashes” was featured live during the cruiserweight world championship boxing match between Yoan Pablo Hernández and Troy Ross on September 15, 2012, in the Stechert Arena in Bamberg during the entrance of Hernández. The “After the War Tour” was extended by thirteen additional concerts due to the numerous sold-out venues. Pyro effects and video walls were also used in what turned out to be the most successful tour in the band’s history up to this time.
Until then, MONO INC. had only recorded English texts. The album Nimmermehr, released August 9, 2013, for the first time included some German lyrics. It entered the official German album charts at number three in the first week after its release. The single “Kein Weg zu Weit”, released as a duet with New German Wave Legend Joachim Witt, brought the band into the recycled playlists on the German mainstream radio landscape for the first time, and major TV stations such as ARD and RTL were taking notice. In an emotional music video, the problem of domestic violence was thematized. In it, Martin dealt with many of the fears of his own childhood, which was marked by violence and pressure. According to his own statements, it was the collaboration with Jochen Witt that inspired Martin to turn to his native German language for the first time. On the accompanying tour, where MONO INC. were billed for the first time as headliner in larger halls, Jochen Witt also joined the band as a special guest, where he not only sang “Kein Weg zu Weit”, but also his greatest hits such as “Der goldene Reiter” and “Die Flut” in a duet with Martin and the band.
On August 22, 2014, the unique double album “The Clock Ticks on 2004-2014” was released. It consisted of a best-of CD and a second disk with acoustic versions of earlier songs. With the release, MONO INC. launched their first acoustic tour, accompanied this time by a cellist and a pianist. It was a sensual format, providing goose bumps for fans and band alike. Katha Mia and the guest pianist swapped roles for some of the titles. Katha Mia was heavily pregnant during the tour.
After only a 3-month maternity leave for Katha, the next studio album “Terlingua” was released on May 22, 2015. It was named after a tiny town in south Texas just a few miles down the highway from the makeshift studio where they were recording.
Engler later said:
“In absolute seclusion there, we had one of the most important experiences for the future of the band. It was a confined space without Wi-Fi or cell phone network or other distractions. We only had each other, and we shared our tasks – creating our music, catering our food and learning in time that we could blindly rely on each other. Thank you, Terlingua, for broadening our horizons, for vital experiences and for the chance to take on new perspectives.“
Inspired by the setting and the Texas way of life, the album was quite different in sound, mood and content from any previous or subsequent MONO INC.production. The album provoked plenty of discussion. Not every fan or critic liked the fact that MONO INC. was including unfamiliar country, lending the result an American flavor. Still, it contained many German lyrics. Nonetheless, “Terlingua” climbed back to #6 in the official German Album Charts . At its release, Martin made it clear that this would end his „German phase“ for the time being. The experiment was fun and inspired new songs. But the concept for the following album did not allow for bilingualism. After two extremely successful TERLINGUA tours in 2015, the band withdrew from the public for six months to recharge their batteries.
On March 11, 2016, the album “MONO INC. Live” was released. In addition to the double audio, the fans were happy about the visuals on the double DVD or Blu-ray. The concert was recorded on November 17, 2015, with a sold-out crowd in Dresden as part of the TERLINGUA tour. The release was celebrated with a cinema premiere on March 5, 2016 in the Hamburg UCI cinemas, where band and fans could enjoy the result on the big screen together.
On January 13, 2017, the concept album “Together till the End” was released. As Martin had announced, it once again contained only English texts. This time, it secured a place in the Top 10 of the Official German Charts at # 6. The title track of the album has meanwhile become THE motto of the fan community and gives the fans an intense feeling of togetherness. The single “Children of the Dark”, on which MONO INC. got vocal support from their friends Joachim Witt, Chris Harms (LORD OF THE LOST) and Tilo Wolff (LACRIMOSA), finally brought the much-awaited international breakthrough. The song is now considered THE anthem of the black scene worldwide. The music video for “Children of the Dark” already has more than 15 million views. Another special collaboration on the album is the song “Boatman”, which is a duet with Ronan Harris from VNV Nation. With the new album under their belt, they went out on tour, including this time their first excursion through the People’s Republic of China. They also played at large EU festivals such as Wacken Open Air, M’era Luna and Summerbreeze.
The tenth studio album, ”Welcome to Hell”, was released on July 27, 2018 and once again consisted of texts in English without exception. The album consisted of 2 CDs: while the first CD got down to business in the usual rocky manner, the second CD contained classic versions of the songs. On “Welcome to Hell” MONO INC. presents an extremely critical merging of history and current events. Superficially, everything on the concept album revolved around the era of a plague epidemic in the early 18th Century. Between the lines, however, the title of the song refers the violent protests at the G20 summit in Hamburg in 2017, to the the great refugee crisis, the war in Syria and other timely grievances. Martin said in an interview: „We never wanted to be a political band. But it was time for us to stand up for our values publicly“. The album entered the Official German Charts at #2 and stayed in the Top 100 for many weeks.
In spring 2019, MONO INC. on a symphonic tour, on which they presented a special symphony program in selected locations – primarily atmospheric theaters – together with a string ensemble and a pianist. This concept aroused such interest from fans and media alike that the tour was completely sold out months in advance. The ambience was dark and sensuous, and the musicians dressed in the same way. In the first part of the show, the songs from the then current album WELCOME TO HELL were celebrated. After the break, a selection of older pieces and greatest hits were presented in this extraordinary sound dress in the second part. During the tour, the band decided to record the concert in Haus Auensee in Leipzig and release it as a double album. SYMPHONIC LIVE was launched on May 24, 2019 at the end of the successful tour. In addition to the normal 2 CD version, there was an exclusive album version that also contained a DVD with the complete show. SYMPHONIC LIVE shot to # 5 in the official German charts in the first week after its release, which is more than unusual for a live album.
On January 24th, 2020 the band released studio album number 11 with “The Book of Fire”. The new concept album shot straight to # 1 in the official German album charts. MONO INC. kidnapped their fans to the time of the Inquisition, whereby the plot should again be understood as a parable. The band set new standards by telling the entire story of the young healer Aellin in their first Earbook , which was published at the same time . In 12 chapters, the audience was able to immerse themselves in the historically researched tragedy of the inquisitorial epoch and fully grasp the background of the English texts. In the audio book, the story was read out personally by Katha Mia and Martin Engler, accompanied by piano versions of “The Book of Fire” played by Martin .
In the beginning of March 2020 MONO INC. were ready to present THE BOOK OF FIRE live to their audience on their biggest tour to date. In addition to shows in the sold-out Haus Auensee in Leipzig, the Sporthalle in Hamburg or the Columbiahalle in Berlin, also for the first time in the band’s history shows in Central and South America were planned, where the band’s second-strongest fan base is now based after Europe.
The fact that there was an enforced break from March 2020 to April 2022 is little more than a footnote these days. After all, the 4 monos had fallen somewhat softly during the pandemic because a) their fans gave them a great deal of support and b) they were invited to so-called Strandkorb Open Airs.
In April 2022 THE BOOK OF FIRE tour continued with a lot of energy, momentum and great emotion. Over 50 shows in Europe were on the tour schedule, which is why new songs were written all the more surprisingly and unexpectedly. One idea worth pursuing followed the next. The result was a new album, which was to be called „Ravenblack“, released in January 2023 and again reached #1 in the official German album charts. Consequently, such an album had to be framed by a tour, which lasted from April to September 2023.
The next step was inevitably a necessary break, having been in the red from April 22 to September 23. Time to reflect and mentally prepare for MONO INC. Symphonic – The Second Chapter.
With fresh energy, the time had come in April 24: 18 concerts under the MONO INC. Symphonic banner were on the calendar. A highlight for everyone involved, which was captured on film in Stuttgart in order to release the result as a live CD/DVD/BluRay in August 2024.
Biography
MONO INC. emerged from the ashes of several band projects, from the frustration of being forced in unwanted directions by major record companies and from an ardent desire to make uncompromising music.
In 2000 Martin Engler (drummer, songwriter and producer), Carl Fornia (guitar) and Miky Mono (vocals) relaunched their previous band project as MONO INC. From 1995 to 1997 the three had already played together in the band Wild Thing and then from 1998 to 2003, initially as a trio under the name Mono69, they went in search of their own special sound. In 2003 Manuel Antoni joined as bass player, completing the quartet, which is why the Monos call 2003 their founding year. Independently, they produced their debut album “Head Under Water” and submitted it to all major labels. They were rejected consistently. Since the band was unwilling to compromise its style for a coveted record deal, they decided in 2004 to set up their own independent label NoCut. The mechanisms of the music business were well known to Martin and Carl: Martin had professional experience as songwriter and producer under contract with EMI for various interpreters since 1990 – Carl on the other hand because he gave up his mechanical engineering studies in 1993 to join a music management company in Hamburg.
In 2004, “Head Under Water” was re-released by NoCut. Two singles from the album made it into the most important German trend charts of the time for rock, metal and Gothic: DAC, MRC30 and Native25. With the debut in their luggage, the band played an extensive tour as support for the medieval rock band Tanzwut and was able to land their first festival slots, one, for example at the Wave-Gothic-Treffen.
By the end of 2006, when the band gathered in the studio to prepare for their second album, the breakup between the band and their front man occurred due to different life plans and musical differences. Carl and Manuel convinced Martin to take on the role of lead singer from now on, because they knew his voice as the main songwriter from the demo tapes and they also knew the authenticity that goes with it when the composer is also the front man, as correct and saw a logical step for the future. Martin said later in an interview that he was already queasy when the two pointed their fingers at him and said, “You have to do this!” And he also struggled with the decision for a few days. In retrospect it was probably his best career decision. He didn’t want to be a singing drummer, however, and insisted someone else had to take his place on the drums.
He was replaced on the kit by 19-year-old Katha Mia, the only female to audition for the part. She impressed the three gentlemen of the band with her talent, enchanting beauty and straightforward beats. The decision to cast her was made in seconds.
With this exciting new line-up complete, the band set out to record their second longplayer, “Temple of the Torn”, slated for release on June 15th, 2007. In the second half of the year, they had a major breakthrough. Their song “Burn Me” was chosen as theme music by the German network DSF for their new TV series “Traumberuf Rennfahrer”. The series was launched September 2007 and ran through June the following year, giving the band major media exposure.
Their third album “Pain, Love and Poetry” hit the Gothic scene in April 2008. It was a mere eleven months after their previous album. They convinced Katha Mia to add some background vocals, in addition to her drumming. It was a smart move. The up-tempo single “Get Some Sleep” got regular play in the clubs from scene DJs and quickly became an underground hit. The accompanying video clip was recorded at the world-famous M’era Luna Festival in Hildesheim, where MONO INC. In 2008 they were allowed to appear for the first time as the opener (in the morning at 11 a.m.) in order to win over new fans in just 25 minutes of playing time. Another single from the album, “Teach Me To Love”, a romantic duet with Lisa Middelhauve of Germany’s top metal band Xandria ) topped the playlists of independent radio stations and drew significant print media attention. In 2009, MONO INC. with “Pain, Love & Poetry” in their luggage on extensive tours as the opening act for Subway to Sally and ASP and appeared at over 40 concerts in Germany, Austria and Switzerland. The band enjoyed increasing popularity and their following grew steadily, also because they were the first band ever to convert their tour diary to video format for reading on their concert tours and thus the fans could be close to success and failure. The format MONO INC. TV still exists, watched by millions of fans from all over the world.
On September 17th, 2009, the album “Voices of Doom” was released, which received a lot of attention and positive reports. The title track “Voices of Doom” as well as the track “Gothic Queen” are integral parts of every MONO INC. show to this day. They were the first singles to break the 1 million view barrier on YouTube. The 8-minute ballad “If I Fail”, however, went unnoticed by the band and label for reasons that are still unknown in China.
The breakthrough followed in 2010, when MONO INC. went on a major arena tour as a support act for UNHEILIG. This tour brought the band so much attention and popularity that they then ventured on their first extensive headlining tour and proudly reported a number of sold-out venues. Out of gratitude and humility, the band began their social commitment for the Bärenherz children’s hospice during this tour. The close connection to this charitable institution continues to this day. Over the years many successful events and campaigns have been initiated and plentiful donations have been generated. Tragically, founding member Miky Mono was killed in a microlight aircraft crash at his Spanish home on Mallorca. The band processed this personal shock in several texts and various touching live moments.
On March 18, 2011, the album “Viva Hades” was released, which was the first MONO INC. album to enter the official German album charts at number 50. The album, which was released for the first time not only as a regular CD, but also as a DVD limited edition of 2,000 pieces, was well received by the domestic and foreign press. The now legendary MONO INC. Raven can be seen for the first time on the cover of this album. Another successful headlining tour soon followed with the support act Lord of the Lost, which included appearances in Austria and Switzerland, as well as guest appearances at major festivals.
On August 17th, 2012 the concept album “After the War” was released , which entered the Official German Charts at # 6 and was the first Top 10 success in the band’s history. The title song was successfully released as the first single, later followed by “Arabia” and the double single “Wave No Flag / From the Ashes”. The song “From the Ashes” was featured live during the cruiserweight world championship boxing match between Yoan Pablo Hernández and Troy Ross on September 15, 2012, in the Stechert Arena in Bamberg during the entrance of Hernández. The “After the War Tour” was extended by thirteen additional concerts due to the numerous sold-out venues. Pyro effects and video walls were also used in what turned out to be the most successful tour in the band’s history up to this time.
Until then, MONO INC. had only recorded English texts. The album Nimmermehr, released August 9, 2013, for the first time included some German lyrics. It entered the official German album charts at number three in the first week after its release. The single “Kein Weg zu Weit”, released as a duet with New German Wave Legend Joachim Witt, brought the band into the recycled playlists on the German mainstream radio landscape for the first time, and major TV stations such as ARD and RTL were taking notice. In an emotional music video, the problem of domestic violence was thematized. In it, Martin dealt with many of the fears of his own childhood, which was marked by violence and pressure. According to his own statements, it was the collaboration with Jochen Witt that inspired Martin to turn to his native German language for the first time. On the accompanying tour, where MONO INC. were billed for the first time as headliner in larger halls, Jochen Witt also joined the band as a special guest, where he not only sang “Kein Weg zu Weit”, but also his greatest hits such as “Der goldene Reiter” and “Die Flut” in a duet with Martin and the band.
On August 22, 2014, the unique double album “The Clock Ticks on 2004-2014” was released. It consisted of a best-of CD and a second disk with acoustic versions of earlier songs. With the release, MONO INC. launched their first acoustic tour, accompanied this time by a cellist and a pianist. It was a sensual format, providing goose bumps for fans and band alike. Katha Mia and the guest pianist swapped roles for some of the titles. Katha Mia was heavily pregnant during the tour.
After only a 3-month maternity leave for Katha, the next studio album “Terlingua” was released on May 22, 2015. It was named after a tiny town in south Texas just a few miles down the highway from the makeshift studio where they were recording.
Engler later said:
“In absolute seclusion there, we had one of the most important experiences for the future of the band. It was a confined space without Wi-Fi or cell phone network or other distractions. We only had each other, and we shared our tasks – creating our music, catering our food and learning in time that we could blindly rely on each other. Thank you, Terlingua, for broadening our horizons, for vital experiences and for the chance to take on new perspectives.“
Inspired by the setting and the Texas way of life, the album was quite different in sound, mood and content from any previous or subsequent MONO INC.production. The album provoked plenty of discussion. Not every fan or critic liked the fact that MONO INC. was including unfamiliar country, lending the result an American flavor. Still, it contained many German lyrics. Nonetheless, “Terlingua” climbed back to #6 in the official German Album Charts . At its release, Martin made it clear that this would end his „German phase“ for the time being. The experiment was fun and inspired new songs. But the concept for the following album did not allow for bilingualism. After two extremely successful TERLINGUA tours in 2015, the band withdrew from the public for six months to recharge their batteries.
On March 11, 2016, the album “MONO INC. Live” was released. In addition to the double audio, the fans were happy about the visuals on the double DVD or Blu-ray. The concert was recorded on November 17, 2015, with a sold-out crowd in Dresden as part of the TERLINGUA tour. The release was celebrated with a cinema premiere on March 5, 2016 in the Hamburg UCI cinemas, where band and fans could enjoy the result on the big screen together.
On January 13, 2017, the concept album “Together till the End” was released. As Martin had announced, it once again contained only English texts. This time, it secured a place in the Top 10 of the Official German Charts at # 6. The title track of the album has meanwhile become THE motto of the fan community and gives the fans an intense feeling of togetherness. The single “Children of the Dark”, on which MONO INC. got vocal support from their friends Joachim Witt, Chris Harms (LORD OF THE LOST) and Tilo Wolff (LACRIMOSA), finally brought the much-awaited international breakthrough. The song is now considered THE anthem of the black scene worldwide. The music video for “Children of the Dark” already has more than 15 million views. Another special collaboration on the album is the song “Boatman”, which is a duet with Ronan Harris from VNV Nation. With the new album under their belt, they went out on tour, including this time their first excursion through the People’s Republic of China. They also played at large EU festivals such as Wacken Open Air, M’era Luna and Summerbreeze.
The tenth studio album, ”Welcome to Hell”, was released on July 27, 2018 and once again consisted of texts in English without exception. The album consisted of 2 CDs: while the first CD got down to business in the usual rocky manner, the second CD contained classic versions of the songs. On “Welcome to Hell” MONO INC. presents an extremely critical merging of history and current events. Superficially, everything on the concept album revolved around the era of a plague epidemic in the early 18th Century. Between the lines, however, the title of the song refers the violent protests at the G20 summit in Hamburg in 2017, to the the great refugee crisis, the war in Syria and other timely grievances. Martin said in an interview: „We never wanted to be a political band. But it was time for us to stand up for our values publicly“. The album entered the Official German Charts at #2 and stayed in the Top 100 for many weeks.
In spring 2019, MONO INC. on a symphonic tour, on which they presented a special symphony program in selected locations – primarily atmospheric theaters – together with a string ensemble and a pianist. This concept aroused such interest from fans and media alike that the tour was completely sold out months in advance. The ambience was dark and sensuous, and the musicians dressed in the same way. In the first part of the show, the songs from the then current album WELCOME TO HELL were celebrated. After the break, a selection of older pieces and greatest hits were presented in this extraordinary sound dress in the second part. During the tour, the band decided to record the concert in Haus Auensee in Leipzig and release it as a double album. SYMPHONIC LIVE was launched on May 24, 2019 at the end of the successful tour. In addition to the normal 2 CD version, there was an exclusive album version that also contained a DVD with the complete show. SYMPHONIC LIVE shot to # 5 in the official German charts in the first week after its release, which is more than unusual for a live album.
On January 24th, 2020 the band released studio album number 11 with “The Book of Fire”. The new concept album shot straight to # 1 in the official German album charts. MONO INC. kidnapped their fans to the time of the Inquisition, whereby the plot should again be understood as a parable. The band set new standards by telling the entire story of the young healer Aellin in their first Earbook , which was published at the same time . In 12 chapters, the audience was able to immerse themselves in the historically researched tragedy of the inquisitorial epoch and fully grasp the background of the English texts. In the audio book, the story was read out personally by Katha Mia and Martin Engler, accompanied by piano versions of “The Book of Fire” played by Martin .
In the beginning of March 2020 MONO INC. were ready to present THE BOOK OF FIRE live to their audience on their biggest tour to date. In addition to shows in the sold-out Haus Auensee in Leipzig, the Sporthalle in Hamburg or the Columbiahalle in Berlin, also for the first time in the band’s history shows in Central and South America were planned, where the band’s second-strongest fan base is now based after Europe.
The fact that there was an enforced break from March 2020 to April 2022 is little more than a footnote these days. After all, the 4 monos had fallen somewhat softly during the pandemic because a) their fans gave them a great deal of support and b) they were invited to so-called Strandkorb Open Airs.
In April 2022 THE BOOK OF FIRE tour continued with a lot of energy, momentum and great emotion. Over 50 shows in Europe were on the tour schedule, which is why new songs were written all the more surprisingly and unexpectedly. One idea worth pursuing followed the next. The result was a new album, which was to be called „Ravenblack“, released in January 2023 and again reached #1 in the official German album charts. Consequently, such an album had to be framed by a tour, which lasted from April to September 2023.
The next step was inevitably a necessary break, having been in the red from April 22 to September 23. Time to reflect and mentally prepare for MONO INC. Symphonic – The Second Chapter.
With fresh energy, the time had come in April 24: 18 concerts under the MONO INC. Symphonic banner were on the calendar. A highlight for everyone involved, which was captured on film in Stuttgart in order to release the result as a live CD/DVD/BluRay in August 2024.

The Picturebooks
Splitting their time between music, Skateboards, Motorcycles and sharing every moment along the way; The Picturebooks have become more than a band.
This two-piece, slide heavy Rock/Blues/Alternative/Country HAMMERFIST of a band has cultivated a rabid and loyal fanbase that gravitates to the band as much for their lifestyle as they do for the music. With five albums under their belts and relentless touring worldwide with over 400 shows in the last five years alone, Fynn Grabke (Guitar/Vox) and Philipp Mirtschink (Drums/Percussion) have truly paid their dues; playing venues of all sizes to sharing the big stages with the likes of Clutch, Wolfmother, Pretenders, Black Stone Cherry, Monster Truck, Highly Suspect, Kadavar, Iron Maiden’s Steve Harris, and more.
With their 5th album "Albuquerque" now officially released, the boys cannot wait to hit the road again.
Splitting their time between music, Skateboards, Motorcycles and sharing every moment along the way; The Picturebooks have become more than a band.
This two-piece, slide heavy Rock/Blues/Alternative/Country HAMMERFIST of a band has cultivated a rabid and loyal fanbase that gravitates to the band as much for their lifestyle as they do for the music. With five albums under their belts and relentless touring worldwide with over 400 shows in the last five years alone, Fynn Grabke (Guitar/Vox) and Philipp Mirtschink (Drums/Percussion) have truly paid their dues; playing venues of all sizes to sharing the big stages with the likes of Clutch, Wolfmother, Pretenders, Black Stone Cherry, Monster Truck, Highly Suspect, Kadavar, Iron Maiden’s Steve Harris, and more.
With their 5th album "Albuquerque" now officially released, the boys cannot wait to hit the road again.