Around March 2020 the world took a break from live music with the onset of a worldwide pandemic, incase you hadn’t heard? When the world stage shut down, Wolfmother's Andrew Stockdale took to the home studio playing all of the instruments, crafting out album #6, “Rock Out”. With mental health becoming one of the most prevalent issues during the pandemic, Stockdale used the majesty of rock with all of it’s chakra healing qualities to guide himself with the creation of “Rock Out”. The idea of Rock’n’Roll giving pure transportation to a better place amidst all of the monotony of daily covid life became a self help cathartic release delivered with a New York Cab driver twang. If you can’t travel during a pandemic, you can get in a cab straight to Hells Kitchen with this little number.

Moving along it’s time to go trans Atlantic back to the mother land of British Rock with the familiar yet unfamiliar “Feelin Love” it’s Cream, it’s Deep Purple, it’s some other band who knows but it’s 2021 and it’s fresh off the ranks in the form of Wolfmother. The track, swings and pumps along in it effortless, unaware manner, then leaves you hanging for a massive POG induced, riff laddened chorus with “Feelin Love”.  Then it’s time for some angst and existential crisis with the self imposed neurosis of “Humble”. Life has become extremely pragmatic and the world has been contact traced into the wrath of drop D relentless riffage. With enough tension to melt a Marshall amp the “waiting for Goddo” type theme entertains the daily musings of delusion and procrastination. This is resolved in humility to accept ones fate and do the best one can. It is a silent victory essentially over nothing except daily existence with a song to show for it. After completing this all on electric drums and plug in amps ... and everything very digitised and laptopish.

Stockdale contemplated the idea of re-tracking with live drums with over dubs. Rather than going to L.A to a fancy studio that looks good on paper, Stockdale went local and recorded the whole record for the most part in his home studio, with a local 19 year old second year student from SAE Insitute in Byron Bay. Yes the Grammy award winning, multi platinum artist put his creative vision in the hands of a  local, novice with little experience. Maybe there’s a side of Stockdale that achieved this success while being a novice with no experience himself, sometimes unbridled youthful enthusiasm will get the results un denounced to itself. Though the ears don’t lie and if it sounds good that’s all that matters. From here Stockdale called on longtime touring cohort Hamish Rosser to contribute drum duties. Most of the record was tracked in one day in Stockdale’s front room in time for school pick up. Did someone call this 'Dad rock' ... ?  So the drums were smashed out in one session. Then a few more songs were written just to beef it up and give it some extra  kick ... tracks such as “Outside”, “Only Way” and “Humble” were last minute creations, that were now rehearsed and fleshed out with a band at Stockdale's new Wolf Cave (which was a former art gallery up at “Bangalow Plaza”). A legendary veteran of many a great record, Paul Pilsnenks dropped in to engineer “Humble” which was completely tracked in about 3 hours one night in September 2021.

All in all, this record in it’s various incarnations from demo to live band recording was in it’s gestation period for about a year and a half. Also Alexx McConnell stepped in on bass duties for “Humble” and “Only Way”  becoming a local recruit for shows after all of the travel restrictions that were made throughout the year, which afforded Wolfmother to do online gigs and a handful of local shows. One could say this record was an ode to the front men and riff masters of yester year via, London, New Jersey, Birmingham through to Pasadena then Byron Bay and back;  it’s a soundtrack for an imaginary stadium tour of 1982 that never happened. Yet it exists none the less in Mp3 and WAV format on your chosen digital platform be it iTunes, Spotify, Apple Music etc. May the algorithms be kind and get this thing heard by many a fan and possible new fans, keeping the Rock’n’Roll dream alive. Remember when in doubt, 'Rock Out!'

Around March 2020 the world took a break from live music with the onset of a worldwide pandemic, incase you hadn’t heard? When the world stage shut down, Wolfmother's Andrew Stockdale took to the home studio playing all of the instruments, crafting out album #6, “Rock Out”. With mental health becoming one of the most prevalent issues during the pandemic, Stockdale used the majesty of rock with all of it’s chakra healing qualities to guide himself with the creation of “Rock Out”. The idea of Rock’n’Roll giving pure transportation to a better place amidst all of the monotony of daily covid life became a self help cathartic release delivered with a New York Cab driver twang. If you can’t travel during a pandemic, you can get in a cab straight to Hells Kitchen with this little number.

Moving along it’s time to go trans Atlantic back to the mother land of British Rock with the familiar yet unfamiliar “Feelin Love” it’s Cream, it’s Deep Purple, it’s some other band who knows but it’s 2021 and it’s fresh off the ranks in the form of Wolfmother. The track, swings and pumps along in it effortless, unaware manner, then leaves you hanging for a massive POG induced, riff laddened chorus with “Feelin Love”.  Then it’s time for some angst and existential crisis with the self imposed neurosis of “Humble”. Life has become extremely pragmatic and the world has been contact traced into the wrath of drop D relentless riffage. With enough tension to melt a Marshall amp the “waiting for Goddo” type theme entertains the daily musings of delusion and procrastination. This is resolved in humility to accept ones fate and do the best one can. It is a silent victory essentially over nothing except daily existence with a song to show for it. After completing this all on electric drums and plug in amps ... and everything very digitised and laptopish.

Stockdale contemplated the idea of re-tracking with live drums with over dubs. Rather than going to L.A to a fancy studio that looks good on paper, Stockdale went local and recorded the whole record for the most part in his home studio, with a local 19 year old second year student from SAE Insitute in Byron Bay. Yes the Grammy award winning, multi platinum artist put his creative vision in the hands of a  local, novice with little experience. Maybe there’s a side of Stockdale that achieved this success while being a novice with no experience himself, sometimes unbridled youthful enthusiasm will get the results un denounced to itself. Though the ears don’t lie and if it sounds good that’s all that matters. From here Stockdale called on longtime touring cohort Hamish Rosser to contribute drum duties. Most of the record was tracked in one day in Stockdale’s front room in time for school pick up. Did someone call this 'Dad rock' ... ?  So the drums were smashed out in one session. Then a few more songs were written just to beef it up and give it some extra  kick ... tracks such as “Outside”, “Only Way” and “Humble” were last minute creations, that were now rehearsed and fleshed out with a band at Stockdale's new Wolf Cave (which was a former art gallery up at “Bangalow Plaza”). A legendary veteran of many a great record, Paul Pilsnenks dropped in to engineer “Humble” which was completely tracked in about 3 hours one night in September 2021.

All in all, this record in it’s various incarnations from demo to live band recording was in it’s gestation period for about a year and a half. Also Alexx McConnell stepped in on bass duties for “Humble” and “Only Way”  becoming a local recruit for shows after all of the travel restrictions that were made throughout the year, which afforded Wolfmother to do online gigs and a handful of local shows. One could say this record was an ode to the front men and riff masters of yester year via, London, New Jersey, Birmingham through to Pasadena then Byron Bay and back;  it’s a soundtrack for an imaginary stadium tour of 1982 that never happened. Yet it exists none the less in Mp3 and WAV format on your chosen digital platform be it iTunes, Spotify, Apple Music etc. May the algorithms be kind and get this thing heard by many a fan and possible new fans, keeping the Rock’n’Roll dream alive. Remember when in doubt, 'Rock Out!'

Kyle Gass of Tenacious D is finally back on tour in October! After a one-year "vacci-cation" on his Californian farm, posting tons of fun videos on his social channels while waiting for his shot, Kyle Gass of Tenacious D did what he does best: Killing time by writing great songs. When he finally got the call, Kyle got really, really nervous which resulted in the new single release of "Vaccinated" - a parody of the Ramones classic "I Wanna Be Sedated" with a video featuring longtime friends like Jack Black, Amy Lee, John C Reilly, Steve Lukather, and many others. 

Not only because of the incredibly great response to the "Vaccinated" release, but rather because he was tired of drinking home-squeezed orange juice all day, Kyle went for it again. He knew the time was as ripe as the fruits on his citrus trees for the world needs to be saved with his super rock power. So, he rounded up the most virtuosic musicians in California to put on a rock show the world has never seen. Kyle and his band of bros will blow the thick layers of dust off your ears like a rock ‘n’ roll hurricane you have never experienced before. 

The couch apocalypse is over, it’s the beginning of a new era: The Kyle Gass Must Save The World Tour 2021 is on. You’re welcome. 

Kyle Gass of Tenacious D is finally back on tour in October! After a one-year "vacci-cation" on his Californian farm, posting tons of fun videos on his social channels while waiting for his shot, Kyle Gass of Tenacious D did what he does best: Killing time by writing great songs. When he finally got the call, Kyle got really, really nervous which resulted in the new single release of "Vaccinated" - a parody of the Ramones classic "I Wanna Be Sedated" with a video featuring longtime friends like Jack Black, Amy Lee, John C Reilly, Steve Lukather, and many others. 

Not only because of the incredibly great response to the "Vaccinated" release, but rather because he was tired of drinking home-squeezed orange juice all day, Kyle went for it again. He knew the time was as ripe as the fruits on his citrus trees for the world needs to be saved with his super rock power. So, he rounded up the most virtuosic musicians in California to put on a rock show the world has never seen. Kyle and his band of bros will blow the thick layers of dust off your ears like a rock ‘n’ roll hurricane you have never experienced before. 

The couch apocalypse is over, it’s the beginning of a new era: The Kyle Gass Must Save The World Tour 2021 is on. You’re welcome. 

Biography

MONO INC. emerged from the ashes of several band projects, from the frustration of being forced in unwanted directions by major record companies and from an ardent desire to make uncompromising music.

In 2000 Martin Engler (drummer, songwriter and producer), Carl Fornia (guitar) and Miky Mono (vocals) relaunched their previous band project as MONO INC. From 1995 to 1997 the three had already played together in the band Wild Thing and then from 1998 to 2003, initially as a trio under the name Mono69, they went in search of their own special sound. In 2003 Manuel Antoni joined as bass player, completing the quartet, which is why the Monos call 2003 their founding year. Independently, they produced their debut album “Head Under Water” and submitted it to all major labels. They were rejected consistently. Since the band was unwilling to compromise its style for a coveted record deal, they decided in 2004 to set up their own independent label NoCut. The mechanisms of the music business were well known to Martin and Carl: Martin had professional experience as songwriter and producer under contract with EMI for various interpreters since 1990 – Carl on the other hand because he gave up his mechanical engineering studies in 1993 to join a music management company in Hamburg.

In 2004, “Head Under Water” was re-released by NoCut. Two singles from the album made it into the most important German trend charts of the time for rock, metal and Gothic: DAC, MRC30 and Native25. With the debut in their luggage, the band played an extensive tour as support for the medieval rock band Tanzwut and was able to land their first festival slots, one, for example at the Wave-Gothic-Treffen.

By the end of 2006, when the band gathered in the studio to prepare for their second album, the breakup between the band and their front man occurred due to different life plans and musical differences. Carl and Manuel convinced Martin to take on the role of lead singer from now on, because they knew his voice as the main songwriter from the demo tapes and they also knew the authenticity that goes with it when the composer is also the front man, as correct and saw a logical step for the future. Martin said later in an interview that he was already queasy when the two pointed their fingers at him and said, “You have to do this!” And he also struggled with the decision for a few days. In retrospect it was probably his best career decision. He didn’t want to be a singing drummer, however, and insisted someone else had to take his place on the drums.

He was replaced on the kit by 19-year-old Katha Mia, the only female to audition for the part. She impressed the three gentlemen of the band with her talent, enchanting beauty and straightforward beats. The decision to cast her was made in seconds.

With this exciting new line-up complete, the band set out to record their second longplayer, “Temple of the Torn”, slated for release on June 15th, 2007. In the second half of the year, they had a major breakthrough. Their song “Burn Me” was chosen as theme music by the German network DSF for their new TV series “Traumberuf Rennfahrer”. The series was launched September 2007 and ran through June the following year, giving the band major media exposure.

Their third album “Pain, Love and Poetry” hit the Gothic scene in April 2008. It was a mere eleven months after their previous album. They convinced Katha Mia to add some background vocals, in addition to her drumming. It was a smart move. The up-tempo single “Get Some Sleep” got regular play in the clubs from scene DJs and quickly became an underground hit. The accompanying video clip was recorded at the world-famous M’era Luna Festival in Hildesheim, where MONO INC. In 2008 they were allowed to appear for the first time as the opener (in the morning at 11 a.m.) in order to win over new fans in just 25 minutes of playing time. Another single from the album, “Teach Me To Love”, a romantic duet with Lisa Middelhauve of Germany’s top metal band Xandria ) topped the playlists of independent radio stations and drew significant print media attention. In 2009, MONO INC. with “Pain, Love & Poetry” in their luggage on extensive tours as the opening act for Subway to Sally and ASP and appeared at over 40 concerts in Germany, Austria and Switzerland. The band enjoyed increasing popularity and their following grew steadily, also because they were the first band ever to convert their tour diary to video format for reading on their concert tours and thus the fans could be close to success and failure. The format MONO INC. TV still exists, watched by millions of fans from all over the world. 

On September 17th, 2009, the album “Voices of Doom” was released, which received a lot of attention and positive reports. The title track “Voices of Doom” as well as the track “Gothic Queen” are integral parts of every MONO INC. show to this day. They were the first singles to break the 1 million view barrier on YouTube. The 8-minute ballad “If I Fail”, however, went unnoticed by the band and label for reasons that are still unknown in China.

The breakthrough followed in 2010, when MONO INC. went on a major arena tour as a support act for UNHEILIG. This tour brought the band so much attention and popularity that they then ventured on their first extensive headlining tour and proudly reported a number of sold-out venues. Out of gratitude and humility, the band began their social commitment for the Bärenherz children’s hospice during this tour. The close connection to this charitable institution continues to this day. Over the years many successful events and campaigns have been initiated and plentiful donations have been generated. Tragically, founding member Miky Mono was killed in a microlight aircraft crash at his Spanish home on Mallorca. The band processed this personal shock in several texts and various touching live moments.

On March 18, 2011, the album “Viva Hades” was released, which was the first MONO INC. album to enter the official German album charts at number 50. The album, which was released for the first time not only as a regular CD, but also as a DVD limited edition of 2,000 pieces, was well received by the domestic and foreign press. The now legendary MONO INC. Raven can be seen for the first time on the cover of this album. Another successful headlining tour soon followed with the support act Lord of the Lost, which included appearances in Austria and Switzerland, as well as guest appearances at major festivals.

On August 17th, 2012 the concept album “After the War” was released , which entered the Official German Charts at # 6 and was the first Top 10 success in the band’s history. The title song was successfully released as the first single, later followed by “Arabia” and the double single “Wave No Flag / From the Ashes”. The song “From the Ashes” was featured live during the cruiserweight world championship boxing match between Yoan Pablo Hernández and Troy Ross on September 15, 2012, in the Stechert Arena in Bamberg during the entrance of Hernández. The “After the War Tour” was extended by thirteen additional concerts due to the numerous sold-out venues. Pyro effects and video walls were also used in what turned out to be the most successful tour in the band’s history up to this time.

Until then, MONO INC. had only recorded English texts. The album Nimmermehr, released August 9, 2013, for the first time included some German lyrics. It entered the official German album charts at number three in the first week after its release. The single “Kein Weg zu Weit”, released as a duet with New German Wave Legend Joachim Witt, brought the band into the recycled playlists on the German mainstream radio landscape for the first time, and major TV stations such as ARD and RTL were taking notice. In an emotional music video, the problem of domestic violence was thematized. In it, Martin dealt with many of the fears of his own childhood, which was marked by violence and pressure. According to his own statements, it was the collaboration with Jochen Witt that inspired Martin to turn to his native German language for the first time. On the accompanying tour, where MONO INC. were billed for the first time as headliner in larger halls, Jochen Witt also joined the band as a special guest, where he not only sang “Kein Weg zu Weit”, but also his greatest hits such as “Der goldene Reiter” and “Die Flut” in a duet with Martin and the band.

On August 22, 2014, the unique double album “The Clock Ticks on 2004-2014” was released. It consisted of a best-of CD and a second disk with acoustic versions of earlier songs. With the release, MONO INC. launched their first acoustic tour, accompanied this time by a cellist and a pianist. It was a sensual format, providing goose bumps for fans and band alike. Katha Mia and the guest pianist swapped roles for some of the titles. Katha Mia was heavily pregnant during the tour.

After only a 3-month maternity leave for Katha, the next studio album “Terlingua” was released on May 22, 2015. It was named after a tiny town in south Texas just a few miles down the highway from the makeshift studio where they were recording.

Engler later said:
“In absolute seclusion there, we had one of the most important experiences for the future of the band. It was a confined space without Wi-Fi or cell phone network or other distractions. We only had each other, and we shared our tasks – creating our music, catering our food and learning in time that we could blindly rely on each other. Thank you, Terlingua, for broadening our horizons, for vital experiences and for the chance to take on new perspectives.“

Inspired by the setting and the Texas way of life, the album was quite different in sound, mood and content from any previous or subsequent MONO INC.production. The album provoked plenty of discussion. Not every fan or critic liked the fact that MONO INC. was including unfamiliar country, lending the result an American flavor. Still, it contained many German lyrics. Nonetheless, “Terlingua” climbed back to #6 in the official German Album Charts . At its release, Martin made it clear that this would end his „German phase“ for the time being. The experiment was fun and inspired new songs. But the concept for the following album did not allow for bilingualism. After two extremely successful TERLINGUA tours in 2015, the band withdrew from the public for six months to recharge their batteries.

On March 11, 2016, the album “MONO INC. Live” was released. In addition to the double audio, the fans were happy about the visuals on the double DVD or Blu-ray. The concert was recorded on November 17, 2015, with a sold-out crowd in Dresden as part of the TERLINGUA tour. The release was celebrated with a cinema premiere on March 5, 2016 in the Hamburg UCI cinemas, where band and fans could enjoy the result on the big screen together.

On January 13, 2017, the concept album “Together till the End” was released. As Martin had announced, it once again contained only English texts. This time, it secured a place in the Top 10 of the Official German Charts at # 6. The title track of the album has meanwhile become THE motto of the fan community and gives the fans an intense feeling of togetherness. The single “Children of the Dark”, on which MONO INC. got vocal support from their friends Joachim Witt, Chris Harms (LORD OF THE LOST) and Tilo Wolff (LACRIMOSA), finally brought the much-awaited international breakthrough. The song is now considered THE anthem of the black scene worldwide. The music video for “Children of the Dark” already has more than 15 million views. Another special collaboration on the album is the song “Boatman”, which is a duet with Ronan Harris from VNV Nation. With the new album under their belt, they went out on tour, including this time their first excursion through the People’s Republic of China. They also played at large EU festivals such as Wacken Open Air, M’era Luna and Summerbreeze.

The tenth studio album, ”Welcome to Hell”, was released on July 27, 2018 and once again consisted of texts in English without exception. The album consisted of 2 CDs: while the first CD got down to business in the usual rocky manner, the second CD contained classic versions of the songs. On “Welcome to Hell” MONO INC. presents an extremely critical merging of history and current events. Superficially, everything on the concept album revolved around the era of a plague epidemic in the early 18th Century. Between the lines, however, the title of the song refers the violent protests at the G20 summit in Hamburg in 2017, to the the great refugee crisis, the war in Syria and other timely grievances. Martin said in an interview: „We never wanted to be a political band. But it was time for us to stand up for our values publicly“. The album entered the Official German Charts at #2 and stayed in the Top 100 for many weeks.

In spring 2019, MONO INC. on a symphonic tour, on which they presented a special symphony program in selected locations – primarily atmospheric theaters – together with a string ensemble and a pianist. This concept aroused such interest from fans and media alike that the tour was completely sold out months in advance. The ambience was dark and sensuous, and the musicians dressed in the same way. In the first part of the show, the songs from the then current album WELCOME TO HELL were celebrated. After the break, a selection of older pieces and greatest hits were presented in this extraordinary sound dress in the second part. During the tour, the band decided to record the concert in Haus Auensee in Leipzig and release it as a double album. SYMPHONIC LIVE was launched on May 24, 2019 at the end of the successful tour. In addition to the normal 2 CD version, there was an exclusive album version that also contained a DVD with the complete show. SYMPHONIC LIVE shot to # 5 in the official German charts in the first week after its release, which is more than unusual for a live album.

On January 24th, 2020 the band released studio album number 11 with “The Book of Fire”. The new concept album shot straight to # 1 in the official German album charts. MONO INC. kidnapped their fans to the time of the Inquisition, whereby the plot should again be understood as a parable. The band set new standards by telling the entire story of the young healer Aellin in their first Earbook , which was published at the same time . In 12 chapters, the audience was able to immerse themselves in the historically researched tragedy of the inquisitorial epoch and fully grasp the background of the English texts. In the audio book, the story was read out personally by Katha Mia and Martin Engler, accompanied by piano versions of “The Book of Fire” played by Martin .

In the beginning of March 2020 MONO INC. were ready to present THE BOOK OF FIRE live to their audience on their biggest tour to date. In addition to shows in the sold-out Haus Auensee in Leipzig, the Sporthalle in Hamburg or the Columbiahalle in Berlin, also for the first time in the band’s history shows in Central and South America were planned, where the band’s second-strongest fan base is now based after Europe.

The fact that there was an enforced break from March 2020 to April 2022 is little more than a footnote these days. After all, the 4 monos had fallen somewhat softly during the pandemic because a) their fans gave them a great deal of support and b) they were invited to so-called Strandkorb Open Airs.

In April 2022 THE BOOK OF FIRE tour continued with a lot of energy, momentum and great emotion. Over 50 shows in Europe were on the tour schedule, which is why new songs were written all the more surprisingly and unexpectedly. One idea worth pursuing followed the next. The result was a new album, which was to be called „Ravenblack“, released in January 2023 and again reached #1 in the official German album charts. Consequently, such an album had to be framed by a tour, which lasted from April to September 2023.

The next step was inevitably a necessary break, having been in the red from April 22 to September 23. Time to reflect and mentally prepare for MONO INC. Symphonic – The Second Chapter.

With fresh energy, the time had come in April 24: 18 concerts under the MONO INC. Symphonic banner were on the calendar. A highlight for everyone involved, which was captured on film in Stuttgart in order to release the result as a live CD/DVD/BluRay in August 2024.

Biography

MONO INC. emerged from the ashes of several band projects, from the frustration of being forced in unwanted directions by major record companies and from an ardent desire to make uncompromising music.

In 2000 Martin Engler (drummer, songwriter and producer), Carl Fornia (guitar) and Miky Mono (vocals) relaunched their previous band project as MONO INC. From 1995 to 1997 the three had already played together in the band Wild Thing and then from 1998 to 2003, initially as a trio under the name Mono69, they went in search of their own special sound. In 2003 Manuel Antoni joined as bass player, completing the quartet, which is why the Monos call 2003 their founding year. Independently, they produced their debut album “Head Under Water” and submitted it to all major labels. They were rejected consistently. Since the band was unwilling to compromise its style for a coveted record deal, they decided in 2004 to set up their own independent label NoCut. The mechanisms of the music business were well known to Martin and Carl: Martin had professional experience as songwriter and producer under contract with EMI for various interpreters since 1990 – Carl on the other hand because he gave up his mechanical engineering studies in 1993 to join a music management company in Hamburg.

In 2004, “Head Under Water” was re-released by NoCut. Two singles from the album made it into the most important German trend charts of the time for rock, metal and Gothic: DAC, MRC30 and Native25. With the debut in their luggage, the band played an extensive tour as support for the medieval rock band Tanzwut and was able to land their first festival slots, one, for example at the Wave-Gothic-Treffen.

By the end of 2006, when the band gathered in the studio to prepare for their second album, the breakup between the band and their front man occurred due to different life plans and musical differences. Carl and Manuel convinced Martin to take on the role of lead singer from now on, because they knew his voice as the main songwriter from the demo tapes and they also knew the authenticity that goes with it when the composer is also the front man, as correct and saw a logical step for the future. Martin said later in an interview that he was already queasy when the two pointed their fingers at him and said, “You have to do this!” And he also struggled with the decision for a few days. In retrospect it was probably his best career decision. He didn’t want to be a singing drummer, however, and insisted someone else had to take his place on the drums.

He was replaced on the kit by 19-year-old Katha Mia, the only female to audition for the part. She impressed the three gentlemen of the band with her talent, enchanting beauty and straightforward beats. The decision to cast her was made in seconds.

With this exciting new line-up complete, the band set out to record their second longplayer, “Temple of the Torn”, slated for release on June 15th, 2007. In the second half of the year, they had a major breakthrough. Their song “Burn Me” was chosen as theme music by the German network DSF for their new TV series “Traumberuf Rennfahrer”. The series was launched September 2007 and ran through June the following year, giving the band major media exposure.

Their third album “Pain, Love and Poetry” hit the Gothic scene in April 2008. It was a mere eleven months after their previous album. They convinced Katha Mia to add some background vocals, in addition to her drumming. It was a smart move. The up-tempo single “Get Some Sleep” got regular play in the clubs from scene DJs and quickly became an underground hit. The accompanying video clip was recorded at the world-famous M’era Luna Festival in Hildesheim, where MONO INC. In 2008 they were allowed to appear for the first time as the opener (in the morning at 11 a.m.) in order to win over new fans in just 25 minutes of playing time. Another single from the album, “Teach Me To Love”, a romantic duet with Lisa Middelhauve of Germany’s top metal band Xandria ) topped the playlists of independent radio stations and drew significant print media attention. In 2009, MONO INC. with “Pain, Love & Poetry” in their luggage on extensive tours as the opening act for Subway to Sally and ASP and appeared at over 40 concerts in Germany, Austria and Switzerland. The band enjoyed increasing popularity and their following grew steadily, also because they were the first band ever to convert their tour diary to video format for reading on their concert tours and thus the fans could be close to success and failure. The format MONO INC. TV still exists, watched by millions of fans from all over the world. 

On September 17th, 2009, the album “Voices of Doom” was released, which received a lot of attention and positive reports. The title track “Voices of Doom” as well as the track “Gothic Queen” are integral parts of every MONO INC. show to this day. They were the first singles to break the 1 million view barrier on YouTube. The 8-minute ballad “If I Fail”, however, went unnoticed by the band and label for reasons that are still unknown in China.

The breakthrough followed in 2010, when MONO INC. went on a major arena tour as a support act for UNHEILIG. This tour brought the band so much attention and popularity that they then ventured on their first extensive headlining tour and proudly reported a number of sold-out venues. Out of gratitude and humility, the band began their social commitment for the Bärenherz children’s hospice during this tour. The close connection to this charitable institution continues to this day. Over the years many successful events and campaigns have been initiated and plentiful donations have been generated. Tragically, founding member Miky Mono was killed in a microlight aircraft crash at his Spanish home on Mallorca. The band processed this personal shock in several texts and various touching live moments.

On March 18, 2011, the album “Viva Hades” was released, which was the first MONO INC. album to enter the official German album charts at number 50. The album, which was released for the first time not only as a regular CD, but also as a DVD limited edition of 2,000 pieces, was well received by the domestic and foreign press. The now legendary MONO INC. Raven can be seen for the first time on the cover of this album. Another successful headlining tour soon followed with the support act Lord of the Lost, which included appearances in Austria and Switzerland, as well as guest appearances at major festivals.

On August 17th, 2012 the concept album “After the War” was released , which entered the Official German Charts at # 6 and was the first Top 10 success in the band’s history. The title song was successfully released as the first single, later followed by “Arabia” and the double single “Wave No Flag / From the Ashes”. The song “From the Ashes” was featured live during the cruiserweight world championship boxing match between Yoan Pablo Hernández and Troy Ross on September 15, 2012, in the Stechert Arena in Bamberg during the entrance of Hernández. The “After the War Tour” was extended by thirteen additional concerts due to the numerous sold-out venues. Pyro effects and video walls were also used in what turned out to be the most successful tour in the band’s history up to this time.

Until then, MONO INC. had only recorded English texts. The album Nimmermehr, released August 9, 2013, for the first time included some German lyrics. It entered the official German album charts at number three in the first week after its release. The single “Kein Weg zu Weit”, released as a duet with New German Wave Legend Joachim Witt, brought the band into the recycled playlists on the German mainstream radio landscape for the first time, and major TV stations such as ARD and RTL were taking notice. In an emotional music video, the problem of domestic violence was thematized. In it, Martin dealt with many of the fears of his own childhood, which was marked by violence and pressure. According to his own statements, it was the collaboration with Jochen Witt that inspired Martin to turn to his native German language for the first time. On the accompanying tour, where MONO INC. were billed for the first time as headliner in larger halls, Jochen Witt also joined the band as a special guest, where he not only sang “Kein Weg zu Weit”, but also his greatest hits such as “Der goldene Reiter” and “Die Flut” in a duet with Martin and the band.

On August 22, 2014, the unique double album “The Clock Ticks on 2004-2014” was released. It consisted of a best-of CD and a second disk with acoustic versions of earlier songs. With the release, MONO INC. launched their first acoustic tour, accompanied this time by a cellist and a pianist. It was a sensual format, providing goose bumps for fans and band alike. Katha Mia and the guest pianist swapped roles for some of the titles. Katha Mia was heavily pregnant during the tour.

After only a 3-month maternity leave for Katha, the next studio album “Terlingua” was released on May 22, 2015. It was named after a tiny town in south Texas just a few miles down the highway from the makeshift studio where they were recording.

Engler later said:
“In absolute seclusion there, we had one of the most important experiences for the future of the band. It was a confined space without Wi-Fi or cell phone network or other distractions. We only had each other, and we shared our tasks – creating our music, catering our food and learning in time that we could blindly rely on each other. Thank you, Terlingua, for broadening our horizons, for vital experiences and for the chance to take on new perspectives.“

Inspired by the setting and the Texas way of life, the album was quite different in sound, mood and content from any previous or subsequent MONO INC.production. The album provoked plenty of discussion. Not every fan or critic liked the fact that MONO INC. was including unfamiliar country, lending the result an American flavor. Still, it contained many German lyrics. Nonetheless, “Terlingua” climbed back to #6 in the official German Album Charts . At its release, Martin made it clear that this would end his „German phase“ for the time being. The experiment was fun and inspired new songs. But the concept for the following album did not allow for bilingualism. After two extremely successful TERLINGUA tours in 2015, the band withdrew from the public for six months to recharge their batteries.

On March 11, 2016, the album “MONO INC. Live” was released. In addition to the double audio, the fans were happy about the visuals on the double DVD or Blu-ray. The concert was recorded on November 17, 2015, with a sold-out crowd in Dresden as part of the TERLINGUA tour. The release was celebrated with a cinema premiere on March 5, 2016 in the Hamburg UCI cinemas, where band and fans could enjoy the result on the big screen together.

On January 13, 2017, the concept album “Together till the End” was released. As Martin had announced, it once again contained only English texts. This time, it secured a place in the Top 10 of the Official German Charts at # 6. The title track of the album has meanwhile become THE motto of the fan community and gives the fans an intense feeling of togetherness. The single “Children of the Dark”, on which MONO INC. got vocal support from their friends Joachim Witt, Chris Harms (LORD OF THE LOST) and Tilo Wolff (LACRIMOSA), finally brought the much-awaited international breakthrough. The song is now considered THE anthem of the black scene worldwide. The music video for “Children of the Dark” already has more than 15 million views. Another special collaboration on the album is the song “Boatman”, which is a duet with Ronan Harris from VNV Nation. With the new album under their belt, they went out on tour, including this time their first excursion through the People’s Republic of China. They also played at large EU festivals such as Wacken Open Air, M’era Luna and Summerbreeze.

The tenth studio album, ”Welcome to Hell”, was released on July 27, 2018 and once again consisted of texts in English without exception. The album consisted of 2 CDs: while the first CD got down to business in the usual rocky manner, the second CD contained classic versions of the songs. On “Welcome to Hell” MONO INC. presents an extremely critical merging of history and current events. Superficially, everything on the concept album revolved around the era of a plague epidemic in the early 18th Century. Between the lines, however, the title of the song refers the violent protests at the G20 summit in Hamburg in 2017, to the the great refugee crisis, the war in Syria and other timely grievances. Martin said in an interview: „We never wanted to be a political band. But it was time for us to stand up for our values publicly“. The album entered the Official German Charts at #2 and stayed in the Top 100 for many weeks.

In spring 2019, MONO INC. on a symphonic tour, on which they presented a special symphony program in selected locations – primarily atmospheric theaters – together with a string ensemble and a pianist. This concept aroused such interest from fans and media alike that the tour was completely sold out months in advance. The ambience was dark and sensuous, and the musicians dressed in the same way. In the first part of the show, the songs from the then current album WELCOME TO HELL were celebrated. After the break, a selection of older pieces and greatest hits were presented in this extraordinary sound dress in the second part. During the tour, the band decided to record the concert in Haus Auensee in Leipzig and release it as a double album. SYMPHONIC LIVE was launched on May 24, 2019 at the end of the successful tour. In addition to the normal 2 CD version, there was an exclusive album version that also contained a DVD with the complete show. SYMPHONIC LIVE shot to # 5 in the official German charts in the first week after its release, which is more than unusual for a live album.

On January 24th, 2020 the band released studio album number 11 with “The Book of Fire”. The new concept album shot straight to # 1 in the official German album charts. MONO INC. kidnapped their fans to the time of the Inquisition, whereby the plot should again be understood as a parable. The band set new standards by telling the entire story of the young healer Aellin in their first Earbook , which was published at the same time . In 12 chapters, the audience was able to immerse themselves in the historically researched tragedy of the inquisitorial epoch and fully grasp the background of the English texts. In the audio book, the story was read out personally by Katha Mia and Martin Engler, accompanied by piano versions of “The Book of Fire” played by Martin .

In the beginning of March 2020 MONO INC. were ready to present THE BOOK OF FIRE live to their audience on their biggest tour to date. In addition to shows in the sold-out Haus Auensee in Leipzig, the Sporthalle in Hamburg or the Columbiahalle in Berlin, also for the first time in the band’s history shows in Central and South America were planned, where the band’s second-strongest fan base is now based after Europe.

The fact that there was an enforced break from March 2020 to April 2022 is little more than a footnote these days. After all, the 4 monos had fallen somewhat softly during the pandemic because a) their fans gave them a great deal of support and b) they were invited to so-called Strandkorb Open Airs.

In April 2022 THE BOOK OF FIRE tour continued with a lot of energy, momentum and great emotion. Over 50 shows in Europe were on the tour schedule, which is why new songs were written all the more surprisingly and unexpectedly. One idea worth pursuing followed the next. The result was a new album, which was to be called „Ravenblack“, released in January 2023 and again reached #1 in the official German album charts. Consequently, such an album had to be framed by a tour, which lasted from April to September 2023.

The next step was inevitably a necessary break, having been in the red from April 22 to September 23. Time to reflect and mentally prepare for MONO INC. Symphonic – The Second Chapter.

With fresh energy, the time had come in April 24: 18 concerts under the MONO INC. Symphonic banner were on the calendar. A highlight for everyone involved, which was captured on film in Stuttgart in order to release the result as a live CD/DVD/BluRay in August 2024.

Kyle Gass Company – The Greatest Acoustic Band in the Universe Hits Europe, May 2025

Prepare yourselves, Europe: Kyle Gass Company, the most epic, earth-shattering acoustic trio the world has ever known, is coming your way this May 2025. Led by the unparalleled Kyle Gass – musical maestro, guitar legend, and lyrical genius – this trio promises a show so incredible, it will leave audiences in stunned awe.

Joined by virtuoso guitarist John Konesky and the golden-voiced Mike Bray, Kyle Gass Company brings a setlist that’s nothing short of perfection. Expect fiery originals from the Kyle Gass Band, jaw-dropping covers, and a few surprise moments that will surely go down in history. With unmatched musicianship, razor-sharp humor, and an energy that shakes the heavens, this is not just a concert – it’s a musical awakening.

Do not miss the acoustic event of the century. Kyle Gass Company is here to change lives, one mind-blowing chord at a time. Tour dates and tickets coming soon – don’t just hear about it, be part of it!

Kyle Gass Company – The Greatest Acoustic Band in the Universe Hits Europe, May 2025

Prepare yourselves, Europe: Kyle Gass Company, the most epic, earth-shattering acoustic trio the world has ever known, is coming your way this May 2025. Led by the unparalleled Kyle Gass – musical maestro, guitar legend, and lyrical genius – this trio promises a show so incredible, it will leave audiences in stunned awe.

Joined by virtuoso guitarist John Konesky and the golden-voiced Mike Bray, Kyle Gass Company brings a setlist that’s nothing short of perfection. Expect fiery originals from the Kyle Gass Band, jaw-dropping covers, and a few surprise moments that will surely go down in history. With unmatched musicianship, razor-sharp humor, and an energy that shakes the heavens, this is not just a concert – it’s a musical awakening.

Do not miss the acoustic event of the century. Kyle Gass Company is here to change lives, one mind-blowing chord at a time. Tour dates and tickets coming soon – don’t just hear about it, be part of it!

NESTOR are five childhood friends who formed a band over three decades ago in their hometown of Falköping, Sweden.

Now the rockstar dreams of their youth have been revitalised and once again the band embraces influences from the 80s with tongues-in-cheek and a lot of heart.

With three previously released singles this year and over a million plays combined for the songs and music videos, the hype is enormous for the album “Kids In A Ghost Town” from Swedish nostalgic rock band NESTOR, that was released on October 22nd.

The before mentioned singles “On The Run”, “1989” and latest single “Tomorrow” (featuring none other than 80s pop icon Samantha Fox) are accompanied on the album with seven more tracks, all of them equally worthy of recognition.

There are certainly no fillers on this AOR milestone in the making - three of the songs have also been co-written together with acclaimed song writer Andreas Carlsson, whose previous works includes songs for Bon Jovi, Europe, Paul Stanley and others.

The album is released through the band’s own label Black Diamond Music and is produced by Tobias Gustavsson, mixed by Sebastian Forslund (The Night Flight Orchestra), and mastered by Thomas “Plec” Johansson at The Panic Room.

NESTOR are five childhood friends who formed a band over three decades ago in their hometown of Falköping, Sweden.

Now the rockstar dreams of their youth have been revitalised and once again the band embraces influences from the 80s with tongues-in-cheek and a lot of heart.

With three previously released singles this year and over a million plays combined for the songs and music videos, the hype is enormous for the album “Kids In A Ghost Town” from Swedish nostalgic rock band NESTOR, that was released on October 22nd.

The before mentioned singles “On The Run”, “1989” and latest single “Tomorrow” (featuring none other than 80s pop icon Samantha Fox) are accompanied on the album with seven more tracks, all of them equally worthy of recognition.

There are certainly no fillers on this AOR milestone in the making - three of the songs have also been co-written together with acclaimed song writer Andreas Carlsson, whose previous works includes songs for Bon Jovi, Europe, Paul Stanley and others.

The album is released through the band’s own label Black Diamond Music and is produced by Tobias Gustavsson, mixed by Sebastian Forslund (The Night Flight Orchestra), and mastered by Thomas “Plec” Johansson at The Panic Room.

S8NT ELEKTRIC has quickly become a force in the heavy music scene, not just for their innovative "Pop Metal" sound – a collision of crushing riffs and infectious pop hooks – but for their commitment to truly living "OFF THE EDGE." This isn't just a motto; it's a lifestyle, demonstrated by their death-defying stunts including being circled by drift cars and skydiving.

Founded on the bold vision of singer Bri Carbajal and lead guitarist Niko Tsangaris, and brought to life by the talents of Trey Baker (drums), Sinner (guitar), and Harrison Forsythe (bass), S8NT ELEKTRIC uses their adrenaline junkie attitude and honest songwriting to inspire listeners to confront their fears and chase their dreams.

S8NT ELEKTRIC has quickly become a force in the heavy music scene, not just for their innovative "Pop Metal" sound – a collision of crushing riffs and infectious pop hooks – but for their commitment to truly living "OFF THE EDGE." This isn't just a motto; it's a lifestyle, demonstrated by their death-defying stunts including being circled by drift cars and skydiving.

Founded on the bold vision of singer Bri Carbajal and lead guitarist Niko Tsangaris, and brought to life by the talents of Trey Baker (drums), Sinner (guitar), and Harrison Forsythe (bass), S8NT ELEKTRIC uses their adrenaline junkie attitude and honest songwriting to inspire listeners to confront their fears and chase their dreams.

Splitting their time between music, Skateboards, Motorcycles and sharing every moment along the way; Picturebooks have become more than a band.

This two-piece, slide heavy Rock/Blues/Alternative/Country HAMMERFIST of a band has cultivated a rabid and loyal fanbase that gravitates to the band as much for their lifestyle as they do for the music. With five albums under their belts and relentless touring worldwide with over 400 shows in the last five years alone, Fynn Grabke (Guitar/Vox) and Philipp Mirtschink (Drums/Percussion) have truly paid their dues; playing venues of all sizes to sharing the big stages with the likes of Clutch, Wolfmother, Pretenders, Black Stone Cherry, Monster Truck, Highly Suspect, Kadavar, Iron Maiden’s Steve Harris, and more.

With their 5th album "Albuquerque" now officially released, the boys cannot wait to hit the road again.

Splitting their time between music, Skateboards, Motorcycles and sharing every moment along the way; Picturebooks have become more than a band.

This two-piece, slide heavy Rock/Blues/Alternative/Country HAMMERFIST of a band has cultivated a rabid and loyal fanbase that gravitates to the band as much for their lifestyle as they do for the music. With five albums under their belts and relentless touring worldwide with over 400 shows in the last five years alone, Fynn Grabke (Guitar/Vox) and Philipp Mirtschink (Drums/Percussion) have truly paid their dues; playing venues of all sizes to sharing the big stages with the likes of Clutch, Wolfmother, Pretenders, Black Stone Cherry, Monster Truck, Highly Suspect, Kadavar, Iron Maiden’s Steve Harris, and more.

With their 5th album "Albuquerque" now officially released, the boys cannot wait to hit the road again.

“A great artist...impassioned vocals and pure inventiveness in his stellar guitar solos...He makes playing rough feel easy.” – Blues Music Magazine

“With a sterling reputation, guitarist and vocalist Tommy Castro is one of the foremost practitioners of electric blues. Searing delivery...rousing and teeming with emotion. [He is] a sheer, soaring tour-de-force.” – Living Blues

“Castro plays gritty, string-bending blues like a runaway train....a glorious blend that rocks the soul and lifts the spirits.” – No Depression

“Soaring vocals and swirling leads...showcasing Castro’s testifying, confessional vocals [and] resonant emotional power as a singer.” – AllMusic

Multiple award-winning, California-based blues and rock sensation Tommy Castro is the guitar slinging, soul-singing leader of the telepathically tight and wildly raucous Tommy Castro & The Painkillers. He’s released 17 previous albums over the course of his four-decade career. Each release features its own individual sound and style, ranging from horn-fueled R&B to piping hot blues and soul to fiery, stripped-down rock ‘n’ roll. With his new album, Closer To The Bone, Castro has returned to his roots, delivering what he calls “a real blues record, the way they would have made them back in the day.” Closer To The Bone is the most unvarnished, straight-ahead blues release of Castro’s career, one that bristles with every ounce of his dynamic energy and raw emotion.

On Closer To The Bone (Castro’s 8th Alligator release), Castro and his Painkillers—bassist Randy McDonald, keyboardist Mike Emerson and drummer Bowen Brown—mix new Castro originals (Ain’t Worth The Heartache, Can’t Catch A Break, Crazy Woman Blues) with songs originally performed by many of Castro’s friends and heroes. Artists and their songs include Johnny Nitro (One More Night, on which Castro plays his treasured 1966 black Fender Stratocaster, a guitar once owned by Nitro himself), Magic Slim (Hole In The Wall), Ron Thompson (Freight Train), Mike Duke (Keep Your Dog Inside) and Chris Cain (Woke Up And Smelled The Coffee). Castro additionally chose obscure songs by Wynonie Harris (Bloodshot Eyes), Eddie Taylor (Stroll Out West), Jimmy Nolen (The Way You Do) and Johnny “Guitar” Watson (She Moves Me). According to Castro, “These are not the obvious artists people generally cover, and that was most definitely on purpose.”

Closer To The Bone was produced by master guitarist and studio wizard Christoffer “Kid” Andersen (producer of over 100 albums), at his now-famous Greaseland Studio in San Jose, California. Closer To The Bone finds Castro at the top of his game, bringing his seemingly limitless energy and boundless talent to the studio. Guests on the album include labelmates Andersen, Rick Estrin, Chris Cain and Billy Branch, along with saxophone player/vocalist Deanna Bogart, keyboard wizard Jim Pugh and, on three songs, the voices of The Sons Of The Soul Revivers.

Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of six-string stars like Elvin Bishop, Taj Mahal and Mike Bloomfield. Almost every major rock and soul act, from Ike and Tina Turner to Janis Joplin to Tower Of Power, toured through the area, and Castro was at every show. He saw John Lee Hooker, Albert King, and Buddy Guy and Junior Wells at a local club, JJ’s Blues Bar. Castro often jammed at JJ’s, dreaming of busting out and making a name for himself. He created his own personal sound and style by mixing the blues, R&B and funk music he loved into his own, instantly recognizable brand of uplifting, soul-healing music.

As his reputation spread, Tommy played in several Bay Area bands, quickly making a name for himself as a hotter-than-hot live artist bursting at the seams with talent. In 1985, he became lead singer and guitarist for the regionally popular blues band NiteCry before joined popular Warner Brothers’ artists The Dynatones, gigging all over the country. He formed the first Tommy Castro Band in 1992 and has not stopped touring since. In 1995, soon after releasing their first album on Blind Pig Records, The Tommy Castro Band were selected as the house band for three seasons on NBC Television’s Comedy Showcase (airing right after Saturday Night Live). The show brought Tommy in front of millions of viewers every week and cemented his reputation as a not-to-be-missed live performer.

After a series of successful releases on the Blind Pig, Telarc and 33rd Street labels, Tommy Castro joined Alligator Records in 2009. His label debut, Hard Believer, launched to massive popular and critical acclaim. 2011 saw the release of the raucous Tommy Castro Presents The Legendary Rhythm & Blues Revue—Live!. In 2014, Castro & The Painkillers released The Devil You Know, followed by Method To My Madness in 2015, Stompin’ Ground in 2017, and the irresistible Killin’ It—Live in 2019. With 2021’s A Bluesman Came To Town, Castro told the story of a young musician’s journey through the blues world. AllMusic said the album was “a towering achievement.”

Castro received his fourth prestigious and coveted Blues Music Award for B.B. King Entertainer Of The Year in 2023. He’s taken home a total of 10 Blues Music Awards and is among the genre’s most decorated artists. Castro’s relentless road-dog approach—gig after gig, 150 nights a year—continues to earn him loyal, lifelong fans everywhere he plays. The Washington Post says Castro is “phenomenal and funky” with “soulful vocals and inspired blues guitar.” Famed guitarist Joe Bonamassa says, “Tommy has always been top of the heap among blues guitar players. He always puts on a great show.”

Tommy Castro & The Painkillers’ deceptively simple approach on Closer To The Bone delivers one thrilling performance after another. Says Castro, “Here, I’m not the contemporary guy, not the rock guy, not the soul guy. This is the deeper blues side of me. I know, with these songs, I am at my most authentic.”

“A great artist...impassioned vocals and pure inventiveness in his stellar guitar solos...He makes playing rough feel easy.” – Blues Music Magazine

“With a sterling reputation, guitarist and vocalist Tommy Castro is one of the foremost practitioners of electric blues. Searing delivery...rousing and teeming with emotion. [He is] a sheer, soaring tour-de-force.” – Living Blues

“Castro plays gritty, string-bending blues like a runaway train....a glorious blend that rocks the soul and lifts the spirits.” – No Depression

“Soaring vocals and swirling leads...showcasing Castro’s testifying, confessional vocals [and] resonant emotional power as a singer.” – AllMusic

Multiple award-winning, California-based blues and rock sensation Tommy Castro is the guitar slinging, soul-singing leader of the telepathically tight and wildly raucous Tommy Castro & The Painkillers. He’s released 17 previous albums over the course of his four-decade career. Each release features its own individual sound and style, ranging from horn-fueled R&B to piping hot blues and soul to fiery, stripped-down rock ‘n’ roll. With his new album, Closer To The Bone, Castro has returned to his roots, delivering what he calls “a real blues record, the way they would have made them back in the day.” Closer To The Bone is the most unvarnished, straight-ahead blues release of Castro’s career, one that bristles with every ounce of his dynamic energy and raw emotion.

On Closer To The Bone (Castro’s 8th Alligator release), Castro and his Painkillers—bassist Randy McDonald, keyboardist Mike Emerson and drummer Bowen Brown—mix new Castro originals (Ain’t Worth The Heartache, Can’t Catch A Break, Crazy Woman Blues) with songs originally performed by many of Castro’s friends and heroes. Artists and their songs include Johnny Nitro (One More Night, on which Castro plays his treasured 1966 black Fender Stratocaster, a guitar once owned by Nitro himself), Magic Slim (Hole In The Wall), Ron Thompson (Freight Train), Mike Duke (Keep Your Dog Inside) and Chris Cain (Woke Up And Smelled The Coffee). Castro additionally chose obscure songs by Wynonie Harris (Bloodshot Eyes), Eddie Taylor (Stroll Out West), Jimmy Nolen (The Way You Do) and Johnny “Guitar” Watson (She Moves Me). According to Castro, “These are not the obvious artists people generally cover, and that was most definitely on purpose.”

Closer To The Bone was produced by master guitarist and studio wizard Christoffer “Kid” Andersen (producer of over 100 albums), at his now-famous Greaseland Studio in San Jose, California. Closer To The Bone finds Castro at the top of his game, bringing his seemingly limitless energy and boundless talent to the studio. Guests on the album include labelmates Andersen, Rick Estrin, Chris Cain and Billy Branch, along with saxophone player/vocalist Deanna Bogart, keyboard wizard Jim Pugh and, on three songs, the voices of The Sons Of The Soul Revivers.

Born in San Jose, California in 1955, Tommy Castro first picked up a guitar at age 10. He fell under the spell of six-string stars like Elvin Bishop, Taj Mahal and Mike Bloomfield. Almost every major rock and soul act, from Ike and Tina Turner to Janis Joplin to Tower Of Power, toured through the area, and Castro was at every show. He saw John Lee Hooker, Albert King, and Buddy Guy and Junior Wells at a local club, JJ’s Blues Bar. Castro often jammed at JJ’s, dreaming of busting out and making a name for himself. He created his own personal sound and style by mixing the blues, R&B and funk music he loved into his own, instantly recognizable brand of uplifting, soul-healing music.

As his reputation spread, Tommy played in several Bay Area bands, quickly making a name for himself as a hotter-than-hot live artist bursting at the seams with talent. In 1985, he became lead singer and guitarist for the regionally popular blues band NiteCry before joined popular Warner Brothers’ artists The Dynatones, gigging all over the country. He formed the first Tommy Castro Band in 1992 and has not stopped touring since. In 1995, soon after releasing their first album on Blind Pig Records, The Tommy Castro Band were selected as the house band for three seasons on NBC Television’s Comedy Showcase (airing right after Saturday Night Live). The show brought Tommy in front of millions of viewers every week and cemented his reputation as a not-to-be-missed live performer.

After a series of successful releases on the Blind Pig, Telarc and 33rd Street labels, Tommy Castro joined Alligator Records in 2009. His label debut, Hard Believer, launched to massive popular and critical acclaim. 2011 saw the release of the raucous Tommy Castro Presents The Legendary Rhythm & Blues Revue—Live!. In 2014, Castro & The Painkillers released The Devil You Know, followed by Method To My Madness in 2015, Stompin’ Ground in 2017, and the irresistible Killin’ It—Live in 2019. With 2021’s A Bluesman Came To Town, Castro told the story of a young musician’s journey through the blues world. AllMusic said the album was “a towering achievement.”

Castro received his fourth prestigious and coveted Blues Music Award for B.B. King Entertainer Of The Year in 2023. He’s taken home a total of 10 Blues Music Awards and is among the genre’s most decorated artists. Castro’s relentless road-dog approach—gig after gig, 150 nights a year—continues to earn him loyal, lifelong fans everywhere he plays. The Washington Post says Castro is “phenomenal and funky” with “soulful vocals and inspired blues guitar.” Famed guitarist Joe Bonamassa says, “Tommy has always been top of the heap among blues guitar players. He always puts on a great show.”

Tommy Castro & The Painkillers’ deceptively simple approach on Closer To The Bone delivers one thrilling performance after another. Says Castro, “Here, I’m not the contemporary guy, not the rock guy, not the soul guy. This is the deeper blues side of me. I know, with these songs, I am at my most authentic.”